These are essential protections that the companies told us, to our faces, that they would NEVER give us. But because of our solidarity, because they literally cannot make a dollar without us, they bent, then broke, and gave us what we deserve. WE WON.
The details of the new Writers Guild contract are out. We won:
• Success-based residuals
• Strong limitations on A.I.
• Minimum writers room staffing
• Guaranteed compensation and 13-week minimums for Comedy/Variety writers in streaming
(cont)
https://t.co/rI1pKWFh4u
The WGA and AMPTP have reached a tentative agreement. This was made possible by the enduring solidarity of WGA members and extraordinary support of our union siblings who stood with us for over 146 days. More details coming after contract language is finalized. #WGAStrike
This thread is for people who are curious about some film basics.
This is a low, Dutch angle two-shot.
That probably doesn’t mean much.
But, here’s why this image feels like it does.
“The degenerative slide of the film business took the following path: The studios forgot their own competitive advantage of having relationships with writers, directors, actors, and crew members…” 1/
My Op-Ed for @thedailybeast
https://t.co/cZ8nlgZJAM
We’re entering month 4 of the #WGAstrike strike, and the AMPTP still has yet to return to negotiate in good faith. Their admitted goal is to break our spirits. Spoiler alert: the AMPTP’s plan won’t work.
#WGAstrong
SAG-AFTRA’s national board will meet this morning to formally approve the launch of a strike.
It will be the first actors strike since 1980 and the first time that actors and writers have been on strike at the same time since 1960. Picketing is set to begin Friday morning.
“SAG-AFTRA President Fran Drescher said, “SAG-AFTRA negotiated in good faith and was eager to reach a deal that sufficiently addressed performer needs, but the AMPTP’s responses to the union’s most important proposals have been insulting and disrespectful of our massive…
Forcing SAG to use a mediator bc the AMPTP refuses to meet their very reasonable demands, is truly a last ditch effort by studios who only now are realizing that they grossly underestimated the current labor movement & the existential crisis facing the industry. Stand strong, SAG