Mizar (Taylor's version) | N2 🇲🇽

Beware: para casi todo tengo una opinión. Te puedo hablar de NFL y del último labial de Dior al mismo tiempo. Jaiba de nacimiento 🦀 Rayo de corazón ⚡

[Mizar (Taylor's version) | N2 🇲🇽 @Mizar7]

ahí les dejo esta cancioncita con esta preciosa frase:

"find someone you know will put you first, find someone who loves you at your worst..."
https://t.co/JDiP2gi3k3

[Mizar (Taylor's version) | N2 🇲🇽 @Mizar7]

@LaTayMexicana hahahha y la jornada cay��

[Swiftie Mexicana 🇲🇽 @LaTayMexicana]

YO NO PEDÍ NACER SWIFTIE, SIMPLEMENTE TUVE SUERTE

[José Díaz @JJDiazMachuca]

DIFUNDIR EN TODO MÉXICO ÉSTO QUE PASA EN COAHUILA !

HASTA DÓNDE LLEGA EL PODER Y EL DINERO LA POLICÍA ESTÁ DE ADORNO QUÉ POCA

Exigen justicia para una niña de 9 años.

"¡Mamá, no dejes que me lleve, él me toca!"

Este fue el desgarrador grito de ayuda de una pequeña de 9 años en Piedras Negras, Coahuila, antes de ser separada de su madre por las autoridades.
Hoy, una madre desesperada rompe el silencio y denuncia una presunta red de impunidad y tráfico de influencias que protege al progenitor de la menor, el Lic.

Eduardo Alejandro Morales Cervera, señalado directamente por su hija de presunto abuso.

📌 Las claves del caso que indigna a las redes:

El abuso: El pasado 27 de mayo, la niña logró confesarle a su familia materna que su progenitor la tocaba por las noches.

La detención:

En lugar de proteger a la menor, las autoridades arrestaron a la madre en el Teatro Maldonado mientras la niña lloraba y pedía a gritos irse con ella.

Red de protección:

La madre acusa al abuelo de la niña, el Lic. Juan Porfirio Morales Gutiérrez, y a los abogados José Manuel Bravo y Alejandro Lara, de intimidar y manipular a la menor para callar la verdad.

Actualmente, la PRONNIF retiró a la niña del padre, pero la entregó a los abuelos paternos.

La madre teme por la vida de su hija y la suya, exigiendo la intervención inmediata del gobernador Manolo Jiménez Salinas.

⚠️ ¡LAS NIÑAS NO MIENTEN!

No permitamos que el poder archive este caso. Ayúdanos a compartir este Reel para que llegue a las autoridades federales.
Alonso Garcia.

@ToaFeliz3

[Pixar @Pixar]

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

[May May 🤍 @BikiniDeColores]

Nunca en mi perra vida voy a perdonar a la pendeja de Claudia por hacer que le de la razón a Paty Chapoy, nunca.

[𝖄𝖔𝖚𝖓𝖌 𝕶𝖎𝖓𝖌'𝖘 𝖇𝖆𝖇𝖞👑 @Valdoler0]

Las selecciones más importantes estan usando a sus grupos legendarios para anunciar a sus jugadores

Te pedimos que una sola cosa hagan bien y presenten a los convocados con esta rola de Juan Gabriel @miseleccionmx

[Patriots Español @patriotsespanol]

Puro cine, papá 😮‍💨

¡EL CALENDARIO 2026 DE LOS PATRIOTS YA ES OFICIAL! 🔥🏈 ¿Qué partido te emociona más?

[Mizar (Taylor's version) | N2 🇲🇽 @Mizar7]

@LaTayMexicana y solo nosotras amamos porque el chiefs kingdom al parecer ni siquiera lo entendió

[La Mode Unknown @LaModeUnknown]

The look of ✨️Madonna✨️ inspired by 'The Temptation Of St. Anthony. Fragment II' by Leonora Carrington (1945) at Met Gala.🪡

[Mizar (Taylor's version) | N2 🇲🇽 @Mizar7]

@starwars @skywalkerspadme the disrespect is that knowing that it was today they didn't choose Star Wars as a theme

[Anish Moonka @anishmoonka]

Part 2. Taylor Swift was 15 when she signed the contract that handed over the rights to every song she would record for 13 years. She was 28 when she signed the next one. Same person, two very different deals. The reason the second deal looks the way it does is because she lived through the first.

In 2005, Swift signed with Big Machine Records, a brand-new Nashville label. Six albums over 13 years. Her father picked up a 3% stake in the label as part of the agreement. Big Machine owned every recording she made. Her debut album, then Fearless, Speak Now, Red, 1989, and Reputation. All of it owned by someone else.

When that contract ended in November 2018, Big Machine was already up for sale. Swift tried to buy back her old recordings. According to her, the only deal on offer required her to record one new album for every old one she wanted back. She refused.

That same month, with her old recordings about to go to the highest bidder, she signed with Universal Music's Republic Records. She insisted on three things. She would own the recordings of every album going forward. Her share of every sale roughly tripled, from a reported 10-15% to over 50%. And the Spotify clause: any money Universal made from selling Spotify shares had to be paid to every Universal artist, in cash, even artists who owed money back to the label.

The first two clauses were for her. The third one, she could have kept just for herself. She didn't.

Seven months later, music manager Scooter Braun bought Big Machine for around $300 million. Swift's old recordings made up roughly 80% of the label's revenue. She had no say. A year and a half after that, Braun sold her recordings to an investment firm called Shamrock Capital for around $405 million. She had no say in that sale either.

So she did the only thing she could. She started re-recording her old albums. Fearless (Taylor's Version) came out in April 2021, then Red, then Speak Now, then 1989. The Eras Tour, built around the re-recordings, grossed roughly $2.2 billion. In May 2025, Shamrock Capital finally sold the original recordings back to her for $360 million. It had taken 20 years.

This week, the clause she fought for in 2018 finally pays out. Hundreds of millions of dollars are landing in Universal artists' bank accounts. Most of those artists never had to take on a label the way Swift did. She did it for them eight years ago, while her own catalog was being sold out from under her.

[Mizar (Taylor's version) | N2 🇲🇽 @Mizar7]

Of course she's doing a soundtrack, now she wants an Oscar... closer to the EGOT #swiftie

[Honey @honeyliketaylor]

She gave so many signs so many signs

[Swiftie Mexicana 🇲🇽 @LaTayMexicana]

Me da un boleto para Toy Story 5 (Taylor's Version) por favor

[Mizar (Taylor's version) | N2 🇲🇽 @Mizar7]

@LaTayMexicana esas son las nubes del tapiz del cuarto de Andy de Toy Story y la 5 se estrena pronto.....

[Mizar (Taylor's version) | N2 🇲🇽 @Mizar7]

@ailoviutl 6 boletos? normalmente son 4 no?

[Mizar (Taylor's version) | N2 🇲🇽 @Mizar7]

@ailoviutl tiene mas reservas?

[Mizar (Taylor's version) | N2 🇲🇽 @Mizar7]

@ElTuiteroDamm @l_og2 claro, podrían ser los de music vibe cobrando 16k con baby metal y solo dar acceso anticipado a general jajajaja

[Éros Brousson @erosbrousson]

I JUST ARRIVED IN MEXICO CITY . LOVELY. 🛻

[Swiftie Mexicana 🇲🇽 @LaTayMexicana]

Sabrina llevó a Madonna y mañana algunos van a estar diciendo que poner videos de YouTube es un mejor show que esto