"No entiendo qué pasa con la gente que no se despierta, por qué no salimos a la calle? Tanto MIEDO podemos tener? Este presidente nos está HUNDIENDO cada vez MÁS"
Esta genia dijo VERDADES
🚨🇯🇵 HOLY SH*T: Nagoya, Japan right now...
104.5 mm of rain was unleashed in ONE HOUR, the highest total since records began being kept in 1890.
Subways have been shut down, commuters have been stranded, and streets are absolutely flooded.
Nagoya authorities have issued the highest Level 5 emergency safety warnings and Level 4 evacuation orders for parts of the city...
Writer: Michael
El mapache decidió que el lomo de un ciervo descansando era el mejor lugar del mundo para sentarse 🦝 La calma del venado ante semejante atrevimiento es simplemente insuperable.😅
Thousands of birds swirling around a church steeple created a scene straight out of a Halloween movie in Salem, Oregon. An estimated 4,000 Vaux’s swifts circled overhead before pouring into the chimney to roost for the night.
En 1963, Julio Cortázar publicó “Rayuela”, un libro que propuso una nueva forma de lectura. La novela se puede recorrer de diferentes maneras: saltando capítulos, jugando con el orden y volviendo al lector parte de la historia.
Pero en el corazón de ese juego hay una figura imposible de olvidar: la Maga. Libre, intuitiva, caótica, la Maga no entiende el mundo desde la lógica, sino desde la sensibilidad. Mientras Oliveira analiza y se pregunta, ella siente y habita las respuestas.
Entre París y Buenos Aires, Rayuela explora el amor, el azar y la búsqueda de sentido, pero es la Maga quien encarna todo lo que no se puede explicar.
« Dans ma vie quotidienne, je suis un solitaire typique… Mais la conscience d’appartenir à la communauté invisible de ceux qui œuvrent pour la vérité, la beauté et la justice m’a empêché de me sentir isolé. »
— Albert Einstein
Picasso was 15 years old when he painted this.
It looks nothing like a Picasso, and the reason why is one of the most beautiful things he ever said...
It's called First Communion, made in 1896, and it was the first large canvas he ever completed. There are no strange angles here, no fractured faces, none of the wild reinvention his name now brings to mind. It is a stunning and technically flawless scene: a young girl kneeling at the altar in a white dress, about to take her first communion, the moment a child is meant to step toward adulthood.
The translucence of the girl's veil, the altar boy's surplice, the light falling from a source outside the frame, all of it revealing a command of paint startling for his age. He built the whole picture around whiteness, linking the white of Lola's dress to the white of the altar cloth and the candlelight, so the eye reads the whole scene as a passage from one life into another.
He was only 15, and he understood that...
It was shown at a major exhibition in Barcelona, where the local press marveled that a boy not yet old enough to shave had painted like a master of the academy.
At fifteen Picasso could already do this, the thing that thousands of trained artists spend their entire lives trying and failing to do. He had it as a boy. And he would spend the rest of his life trying to get back the one thing this perfect painting does not have: the freedom of a child, who paints without fear, without rules, and without yet knowing what is supposed to be impossible...
He said it himself: "It took me four years to paint like Raphael, but a lifetime to paint like a child."
9 SEP | 🥶 Nueva irrupción de aire frío en el centro y sur argentino.
🌬️ A partir de este jueves 10/9, una masa de aire de origen antártico ingresará al país y provocará un marcado descenso de temperaturas 🧵➡️
@maxipullaro Seguimos en campaña con la nuestra... cómo rompen las pelotas. Quedan bien con la de todos menos con la de Uds.
Me tienen repodrida los políticos, sean del partido que sean, sólo saben parasitar al resto y después se olvidan