Rocket got turned into a lab experiment, lost the only family he ever had, and still has to act like none of it bothers him. Bucky spent decades as someone else’s weapon and still has to live with the memories. At this point the real debate is just which one of them had fewer good days.
Thor and Loki teaming up against Hela was one of those MCU moments that just felt different.
Two brothers who spent years fighting each other suddenly had to stand against a sister who was powerful enough to destroy Mjolnir like it was nothing.
Their transformation is mad!!!
Something about the way The Conjuring fandom talks about Valak has always bothered me. Valak and Valac share a name and a connection to serpents, but beyond that, their descriptions, abilities and even appearances are completely different.
So why did we start treating “Valak, the Great President of Hell” as established canon when that title actually belongs to Valac in the Ars Goetia? The movies never call Valak the President of Hell, and borrowing a demon's name doesn't automatically mean you're using the same character. It feels like the fandom quietly turned inspiration into canon.
What if the person everyone thought was a harmless genius was actually the most terrifying man in the room?
The Unabomber didn’t just disappear into the wilderness he waged a violent campaign against modern technology and society, leaving investigators chasing a ghost for years.
The most unsettling part? His ideas forced people to confront uncomfortable questions about technology, freedom, and the price of progress even though his methods involved murder and terror.
The best of men ain’t does who fought for today rather does who fights for the future called tomorrow.
I like J. K. Simmons as an actor. He plays a really good bad ass for his age.
The war tomorrow is worthy of your time.
Jessie Buckley’s scream in HAMNET wasn’t even scripted.
“I loved that little boy, and I had gone on such a huge journey with him, with Paul, and with the idea of motherhood.”
The moment came spontaneously on the second of three takes — and it was so powerful that James Cameron says he “bawled both times, multiple times” while watching Chloé Zhao’s HAMNET.