I never tweet, but this was one of the first laughs I had during this worldwide pandemic - through it all, rejection will prevail! The theater as we know it will keep on saying "no! go away!"
https://t.co/C6h3snmXs8
@parabasis “Add a midget and a piano with legs” - a note from Mac Wellman on my classmate’s completely naturalistic play, moments before he simply exited the room not to be seen again until the next class
Just kicked off my Chicago play week with I Wanna F@&king Tear Apart showing at @RivendellThtr@MorganGould I really enjoyed it. Another great example of promoting women’s perspective. Thanks you Rivendell. Go year of Chicago Theatre 😁 #2019isYOCT@LoCTindustry @ChicagoPlays
Guys I never tweet but @RivendellThtr is offering free tickets to anyone who identifies as fat to my show I WANNA FUCKING TEAR YOU APART and honestly as a fat woman I FEEL SEEN - in the words of camryn THIS IS FOR ALL THE FAT GIRLS
@leahnanako on the other hand, I don't know how to hock a loogie, which I bet most men know how to do... so we all have different skills. LOVE YOUUUU #happytosteam4u
@leahnanako@MorganGould I got today's New York Times--yes, I still get the print edition-- and here's what I see!! It mention 4 (four) Facebook/social media friends! I got my tickets already!
Actual question for anyone on my feed who might be working on Angels in America (maybe there's someone?) - how do you ethically defend the ticket cost (which is like $1000) to a play that is in part about the vast and crippling disease that is capitalism?