Moshi

[Moshi @Moshi_films]

@Lightroom

[cinesthetic. @TheCinesthetic]

Gone Girl (2014) // Mindhunter (2017-)

[Avid Media Composer @MediaComposer]

💟 The Barbie movie editing timeline
📷 Nick Houy, ACE
▶️ https://t.co/f1sv8KvY1z

#editing #barbiemovie #editor #avid #postproduction #mediacomposer #timeline #barbie

[Science girl @sciencegirl]

Orographic clouds lit up by a setting sun producing the illusion of flames on top of this mountain.

This is the Meri mountains,Yunnan, China

[RIONA @rionabuthello]

My oil painting ‘Familiar’

[Jim Gray (The former Chief) @JimGraytweetz]

I was fortunate enough to get a private screening of the film, Killers of the Flower Moon earlier this month. Having been marginally released from my NDA with the premiere of the film today at Cannes, I have a few thoughts.

[Todd Vaziri @tvaziri]

Color grading for production stills (photos taken by the still photographer for promotional use in print and web) vs. color grading for the final show.

"Succession" s04e08

[StudiocanalUK @StudiocanalUK]

Mother

[Aharon Rabinowitz @ABAOProductions]

OH MY GOD!!!! Cristopher Walken is no dummy and is totally irreplaceable, but for the purposes of this test of @WonderDynamics Wonder Studio, I've replaced him with a dummy. This took ~90 minutes to process, including Mocap, actor removal, and rendering.

[Karina Anglada @KarinaAnglada]

Editors when they realize they have to edit in order to become a better editor

[StudiocanalUK @StudiocanalUK]

A massive congratulations to Sandy Powell who makes history as the first costume designer EVER to receive the @BAFTA Fellowship Award!

Sandy was behind some of the stunning costumes seen in Carol:

[Eben Bolter ASC, BSC @ebenbolter]

#TLOU ep5 BTS pt1:
Our biggest set-piece required a huge cul-de-sac with 16 houses, fully controllable at night and with privacy to shoot, so we built it:
1) Back-lot site
2) Road and foundations beginning to take shape
3) On-site with scale model
4) Final build with stand-ins

[Eben Bolter ASC, BSC @ebenbolter]

For #TLOU 104 I’m highlighting the amount of in-camera work the art dept did, building a gas station and 100 or so fully aged and weathered vehicles:
(1) Scout photo
(2) Mid-way through build (snow!)
(3) In-camera as shot (no tweaks)
(4) Post VFX and DI final shot (added depth)