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Variations on the theme of "Lai d'Aristote", or the tale of Phyllis and Aristotle. The seductive Phyllis is portrayed riding on the back of the philosopher Aristotle who was warning his pupil against her.
① France, 1900
② Berthommé St-André, 1935
③ Mexican artist Eko (b.1958)
@sardax@DamienKempf Oh, you really should!!
It's so hard to choose a favorite, but what I like most about this one is the fact that Aristotle looks so much like a pitiful dog! 🐶
"Aristoteles en Phyllis" (16th c.) by Pieter de Jode (1588 - 1592).
Plate with Wife Beating Husband, made in Dinant or Malines, Netherlands, 1480 AD :
The scene on copper plate is often interpreted as a depiction of Phyllis riding Aristotle, a popular medieval tale illustrating the power of women over men, or more broadly, as a representation of a woman's tyrannical rule.
Its humor relies in part on the longstanding association between women and spinning. The object at the left of the plate represents a fixed distaff, which was used to spin wool by hand, a task traditionally associated with women, which adds to the theme of female dominance. Once spun onto a spindle, the yarn would be wound off with a cross-reel such as that held by the man. The fact that a man could be reduced to hank winding would alone have been quite amusing to medieval viewers, but that he has been reduced to a most embarrassing position and is in the process of being beaten - possibly for not correctly performing even this simplest of tasks - can only be viewed as a domestic satire.
A plate of this size and depth could have served either as a charge on which to carry large portions of food to the table, or as a basin into which water could be poured.
This type of imagery reflects social commentary and popular narratives of the period, often found in various art forms.
(9.8 x 51.5 cm)
MET Museum
#archaeohistories