Newstrum

Cinéphile, critique et blogueur - critiques de film

[Newstrum @Newstrum1]

On peut voir ou revoir ce soir La Nuit nous appartient de James Gray sur ARTE, dont je parlais ci-dessous.https://t.co/uq3JeFeUOl

[Newstrum @Newstrum1]

@philippe_rouyer @GarconsOfficiel C'est un faux Pinocchio en réalité, puisque dans A.I. le rêve ne se réalise jamais, la féé n'existe pas, c'est une illusion. Ne reste que la mort à la fin. D'où le caractère déchirant du film.

[Newstrum @Newstrum1]

@DavidPoland I understand but what made me tear up is all the scenes involving Margaret’s empathic powers (the real point of the movie) not the ending which left me cold.

[Newstrum @Newstrum1]

@DavidPoland I reckon the visual clues that can be found in the film do not work for everyone and that the script is lacking. It’s a strange, chaotic, imbalanced movie, but also very moving in several scenes.

[Newstrum @Newstrum1]

@DavidPoland It was clear to me as this is what I understood from the film - the gesture from In Vivo at the end taking the heads of Margaret and Daniel with his hands as he did when they were kids gives this away.

[Newstrum @Newstrum1]

@DavidPoland It's clearly implied though.

[Newstrum @Newstrum1]

@DavidPoland another exemple: why the ugly opening on the catch match? Because it's Trump's favorite sport and Spielberg wants to replace this by the consoling image of Margaret listening to and healing people.

[Newstrum @Newstrum1]

@DavidPoland This was already the case in A.I to some extent, which ends with a reunion, but it's an illusion (the mother's dead). DD's script is not very good, but I think several plot holes were left purposefully (it makes no sense to end the film with "listen" with such a title).

[Newstrum @Newstrum1]

@DavidPoland No, they know about the girl already. In Vivo 26 (or whatever the number is) is the alien who gave empathy to the girl and he is behind Hugo's plan so he remembers the house.

[Newstrum @Newstrum1]

@DavidPoland The real climax occurs when Margaret returns home. It's the kind of movie where you need to look beyond the script because the images and the themes tell another story. DD says that only empathy (embodied by Margaret) can save our world - it's not about the aliens but about us.

[Newstrum @Newstrum1]

Disclosure Day de Spielberg est un film aussi personnel que l'étaient The Fabelmans et West Side Story. Critique ci-dessous.
https://t.co/7Yw0m4G1rt

[Newstrum @Newstrum1]

Quelques mots rapides du superbe Déménagement de Shinji Sômai, vu il y a quelques temps mais dont je garde un souvenir tenace.
https://t.co/jRUbxwaCmU

[Newstrum @Newstrum1]

Quelques mots ci-dessous sur Prison sans barreaux de Léonide Moguy, qui aborde le sujet des maisons de correction pour mineurs dans les années 1930 et vaut surtout pour l'interprétation de Corinne Luchaire, héroïne des Rayons et de ombres de Giannoli.
https://t.co/FYHR3N4Sv5

[Newstrum @Newstrum1]

Quelques réflexions sur Les Rayons et les ombres de Xavier Giannoli.
https://t.co/nKL2owjfTd

[Newstrum @Newstrum1]

Quelques mots sur Marty Supreme de Josh Safdie.
https://t.co/D627rYK7A0

[Newstrum @Newstrum1]

Critique et analyse d'un des grands films d'Imamura.
https://t.co/zbWxwL6l9F

[Newstrum @Newstrum1]

Quelques mots sur La Rupture de Claude Chabrol; conte moral autant que social.
https://t.co/34QpNsSIOb

[Cinémamecque @cinemamecque]

#frederickwiseman @philippe_rouyer @frangeliers @ATrapenard @antoinedecaunes @SylviePras @AvaCahen @mvoinchet @GrandAction @ParisCinemaClub @pierrelescure @AlainKRUGER @jajacobbi @Caroklouk @Parlons_cinema @LaBandeSon_Jet @Newstrum1 @RosalieVarda @tonyone2 @TonioGG

[Newstrum @Newstrum1]

J'ai revu l'un des plus beaux, et plus tristes, films du monde : L'Intendant Sansho de Kenji Mizoguchi dont je parle ci-dessous.
https://t.co/gy4GWFujWp