JammanStone

Hi

[JammanStone @OneBigJam2]

It’s 21 kg

[Seyir. @seyirnotlari]

Sadece pratik zekaya sahip olanlar yapabilecek!

Sünger bob'un kilosu nedir?

[JammanStone @OneBigJam2]

This is what would’ve happened if Jax had kept on messing with Clark.
#tadc #backrooms #CaptainClark #jaxㅤ

[Kane Parsons Film Updates @KaneHypeGuy]

The Amazing Digital Circus creator Gooseworx on what she believes would happen if Clark ended up in the circus:

“I think similar to the Backrooms, the circus would only amplify and exaggerate his mental issues. He would also be a pirate I think. That would be cute.”

[JammanStone @OneBigJam2]

@renabaddie_ 24

[JammanStone @OneBigJam2]

@KaneHypeGuy I hope there’s a digital version of the Backrooms with the extra 15 minutes

[JammanStone @OneBigJam2]

In my opinion, they should have ended the universe after the finale. Because they are doing the exact same thing of what they’re mocking or satire of superhero genres.
#TheBoy #voughtrising

[𝘈𝘴𝘰 @Uunvir]

2022 2026 vought rising

[JammanStone @OneBigJam2]

Bro……..

[DiscussingFilm @DiscussingFilm]

Google is investing $75M into A24 as part of an AI research partnership between the 2 companies.

They will look at using AI to create new tools for movie production & distribution.

(Source: https://t.co/nJO8JPBohA)

[DiscussingFilm @DiscussingFilm]

3 films from YouTube-originated directors will be in the top 5 at the domestic box office this weekend.

• ‘Backrooms’
• ‘Obsession’
• ‘The Amazing Digital Circus: The Final Act’

[RemmZero🌽,👧,😈💋 @RemmZer0]

Re:Zero Fun Fact:

Yūsuke Kobayashi is an incredible voice actor you can really feel the pain Subaru goes through but how does he do it? The answer is actually really simple, every week he comes into the studio and they begin to torture him for hours looking for the best sounds!

[Matt Jarbo @mjarbo]

Hollywood is about to learn the wrong lesson from BACKROOMS and OBSESSION.

Kane Parsons and Curry Barker did not just make two hit horror movies. They blew up the summer box office from outside the traditional system.

BACKROOMS opened to around $81 million domestic on a $10 million budget. OBSESSION has already crossed $150 million worldwide after costing less than $1 million.

That is insane.

But the reason these movies worked is not simply “YouTuber plus horror equals money.”

They worked because these filmmakers already had an audience. They understood internet horror, Gen Z anxiety, loneliness, obsession, liminal spaces, and the kind of weird shit younger audiences actually want to experience in a theater.

Hollywood will probably see this and start buying every viral short, creepypasta, ARG, analog horror channel, and weird YouTube series it can find.

Some of that will be exciting.

A lot of it will probably be terrible.

Because the lesson is not “adapt everything online as fast as possible.”

The lesson is that a kid with a camera, taste, and a direct line to an audience can now beat the studio system at its own game.

That is great news for YouTubers and online filmmakers.

It is probably terrifying news for everyone who spent $120,000 at film school waiting for permission to break in.

[Anime Spotlight @AnimeSpotlightt]

Re:ZERO Author Tappei Nagatsuki Was Called ‘The Devil’ by His Own Mother After the Season 4 Episode 8.

The Episode is right now the Highest Rated Episode of the whole show with a Rating of 9.9/10 on IMDb!!

[Blumhouse @blumhouse]

A double feature to single-handedly destroy your ability to trust

[Matty 🇨🇦 @mattyawooga]

NEVER kill yourself

[Zeus @Promithean11]

WE LOVE MHA

[Loop De Loop @LoOpDeLo]

Gooseworx to the fanbase on June 4th

[spoony ‼️ @spoonyspinee]

Being in the TADC fandom:

[Vsk @TheVsk_]

ends tomorrow btw 🍂

[UbiEgo @FarmIykay]

The GRAYSON'S. Is this accurate? #invincible