Three years ago, when studying in NYC, I wrote a profile on Sean Baker for a creative nonfiction writing class.
This year, @RedmondBacon gave me the chance to rework it so that my 7500-word primer on the filmmaker now finally sees the light of day.
https://t.co/DQ8a6JziEa
Morgen läuft Alain Gomis' DAO in den deutschen Kinos an. Zwei Dinge waren mir nach dem Sehen klar: DAO ist schon jetzt einer meiner liebsten Filme des Jahres. Und: Es gilt, eine weitere Filmographie aufzuholen.
Hier meine Kritik: https://t.co/LzJzkNhzwf
Didn't get to write much this Cannes, but here's my most recent review on Sompot Chidgasornpongse's promising feature-length fiction debut 9 TEMPLES TO HEAVEN, which I found strongest in those lingering moments when it forgets about its central premise.
https://t.co/lqpyUUECgt
Cherub, a movie I directed, is now available online at https://t.co/EKXwuwaPPU for free.
I know everyone says "we made this movie with a lot of love" but we really mean it... I hope you go watch and enjoy!
This Sundance was much more fun than expected.
Quite a few of the 15 titles I saw were good, with William and David Greaves' ONCE UPON A TIME IN HARLEM clearly standing out.
Here's my list…
https://t.co/p0q3ubBw6L
I have a soft spot for Ulrich Köhler, who made one of the best titled films ever (MONTAG KOMMEN DIE FENSTER). At #NYFF, I saw his latest, GAVAGAI, which took root in the embarrassment he felt amidst making and premiering SLEEPING SICKNESS. It's complicated
https://t.co/WGao9LZDg2
https://t.co/P62C6HWxcM Which films will remain with us? From Panahi to Reichardt, Lapid to Trier— we have a post-festival chat with Öykü Sofuoğlu @FerideMercury on standout films and lukewarm letdowns at this year’s 78th edition of the Cannes Film Festival. Until next time!
Among my favorites @ this year’s Cannes was Pauline Loquès' debut feature NINO, which played in Semaine de la Critique. For @InRO, I wrote about this strangely hopeful slice-of-life dramedy that made me relisten to Foals after what must have been 15 years.
https://t.co/tgYrQKfLTD
Another #CannesFilmFestival wrapped, and we were delighted to chat again with @tintedmagenta about the Asian selection, including new films by Kōji Fukada, Chie Hayakawa, Ratchapoom Boonbunchachoke, Shih-Ching Tsou, and Bi Gan.
https://t.co/kgzPFHTlAf
Never before have I seen so many films before and at #Cannes, and I don't think I ever will again.
Anyway, here’s my list, including a couple of shorts and classics.
https://t.co/fVtVPwm78i
Wenig überraschend liefert Hong bei der diesjährigen #Berlinale mit WHAT DOES THAT NATURE SAY TO YOU einen meiner Favoriten. In großer Offenheit kündigt sich hier eine Zukunftsaussicht nach der anderen an, nur um diese schließlich zum Bersten zu bringen.
https://t.co/FCD4peKVFP
With Sundance ongoing and the Berlinale ahead, we were thinking of the most anticyclical thing to put out and came up with our Top 10 episode of 2024, featuring, as last year, our critic friends @lawrencengarcia and @FerideMercury
https://t.co/ckkp1HD3Jq
Here are our no. 10-6.
Wohin führt das ewige Begehren?
@Volatilis_Aetas, @DunjaBialasl und Patrick Fey sprechen in der neuen Folge über Luca Guadagninos #Queer.
---> https://t.co/7k05xRS6kb 🎵
Berlin's official city portal just wrote our film No Other Land has "antisemitic tendencies". A film that won the Berlinale and was recently invited to a special screening in the German embassy in Israel. It pains me to see how, after murdering most of my family in the holocaust, you empty the word antisemitism of meaning to silence critics of Israel's occupation in the West Bank (the topic of our film) and legitimize violence against Palestinians. I feel unsafe and unwelcome in Berlin of 2024 as a left-wing Israeli and will take legal action.