VIDEO | Recalling his earlier visit to the Art of Living, actor Rajinikanth (@rajinikanth) brought the house down with his humorous take, said, 'nobody even looked at me'.
#Rajinikanth
𝐓𝐰𝐨-𝐭𝐢𝐦𝐞 C𝐡𝐚𝐦𝐩𝐢𝐨𝐧𝐬 𝐨𝐟 𝐭𝐡𝐞 #𝐓𝐀𝐓𝐀𝐖𝐏𝐋. 🏆❤️��
From the first ball to the final roar, we owned the journey. 🔴✨
Top of the table all season, with a new star shining every night. 🌟
Built on belief 🤝, powered by depth 💪, and driven by togetherness ❤️🔥.
A special bunch. A deserving triumph. 🥹🏆
@INCIndia Hello @BJP4India, 1st take action against everyone involved in making this, Defaming our Prime Minister & making fake propaganda like this is very concerning
@INCIndia With this mindset you never gonna win the elections
My most important career/life lesson : Never place a ceiling on your own potential. You're far more capable than the stories the world has told you to believe. The one truth I've learnt through my own life and the lives of all my guests on
DHURANDHAR – THE FILM THAT BROKE BOLLYWOOD’S SPINE AND EXPOSED AN ENTIRE ECOSYSTEM
I walked into Dhurandhar expecting a good action film.
I walked out realizing I had just witnessed something Indian cinema has not attempted in 70 years.
Let me say this upfront:
**If you want to know who truly stands with India and who stands with narrative handlers…
Watch their reaction to this movie.
This film is a litmus test. A filter. A mirror.
Because when The Wire calls a brilliant film “as subtle as a troll” and gets 600 likes…
And a simple reply saying “Why is your pichwada on fire?” gets 3,700 likes…
You know exactly where the country’s pulse is.
THE ELEPHANT IN THE ROOM: BOLLYWOOD NEVER SHOWED THE TRUTH
For decades, Bollywood has been a propaganda factory — not because Indians lack reality, but because reality made certain people uncomfortable.
Let’s talk history.
Mughals in India:
Patricidal, barbaric invaders who ravaged the subcontinent, destroyed temples, wiped out dynasties, and occupied Delhi.
Mughals in Bollywood:
Jodha Akbar… Mughal-e-Azam… Salim-Anarkali…
All silk curtains, roses, poetry, and fictional love stories.
The truth was replaced with aesthetic Instagram filters before Instagram even existed.
PAXTAAN: A COUNTRY RESPONSIBLE FOR GLOBAL TERROR — SOFTENED INTO A TEDDY BEAR ON SCREEN
Reality:
• IC-814 hijack
• Parliament attack
• Mumbai 1993
• Mumbai 2008
• Kashmir terror
• Global jihad funneling
Bollywood’s version:
• Bajrangi Bhaijaan: “Paxtaanis are sweet.”
• Main Hoon Na: “Bas misunderstandings hain.”
• Tiger series: India–Paxtaan bhai-bhai undercover romance.
• Pathaan: High-budget glamour shot of the same state waging hybrid war on us.
Even Border, which shows Pakistani aggression, ends in “Aman ki Asha” songs.
This is not cinema.
This is narrative engineering.
And why wouldn’t it be?
When the Mumbai underworld, funded through Paxtaan, controlled Bollywood through the 80s and 90s…
When fake currency printed across the border pumped into India…
When “superstars” danced in private parties for D-company’s kids…
What kind of films did you expect to be made?
Truth? Or convenient fiction?
ENTER DHURANDHAR — THE FIRST FILM THAT SHOWS THE MONSTER EXACTLY AS IT IS
For the first time, a mainstream film shows:
✔ The Karachi underworld as the terror pipeline it truly is
✔ Layari as the breeding ground of transnational crime
✔ How terrorists infiltrate politics, borders, intelligence
✔ How India quietly fights a silent war every single day
✔ How information, not bullets, is the new battlefield
✔ How our own internal narratives have been hijacked for decades
And here’s the twist:
Not once does the movie mention religion.
Not once does it demonize ordinary people.
It exposes the terror state, not citizens.
This is why the “anti-Muslim” accusation is not just wrong —
it’s lazy, dishonest, and shows who is scared of the truth.
THE PERFORMANCES — OUT OF THIS WORLD
Akshaye Khanna
I said after CHHAVA that he was back.
But here?
He is untouchable.
A clinical, surgical performance.
R. MADHAVAN AS AJIT DOVAL
Every dialogue of his is a punch to the soul.
The line of the year:
“India’s worst enemies are inside India.
Paxtaan comes next.”
Truth so sharp it can cut stone.
Sanju Baba, Rampal, the entire Layari ensemble
World-class casting. Dark, gritty, believable.
No caricatures. No overacting. No Bollywood gloss.
Ranveer Singh
This one shocked me.
I never thought I’d say this, but he delivered the performance of his life.
To take on this role knowing:
• he will lose the Middle East market
• Bollywood elites will shun him
• critics will attack him
• his PR image will be dismantled
…yet he still did it?
That’s courage.
That’s conviction.
That’s what being an actor actually means.
This film has one heartbeat.
One mind.
One courage.
Aditya Dhar.
Every frame has his signature:
• the discipline of Uri,
• the honesty of a documentarian,
Thirupparankundram is the First of the Six Abodes of Lord Murugan (Kartikeya). The practice of lighting lamps atop the hill during the Tamil month of Karthigai is an ancient tradition of Hindus. It is sad and ironic that today the Hindus in Bharat have to seek judicial interventions to practice their faith and perform their rituals. If, even after winning a decisive legal battle, devotees cannot perform a simple, peaceful ritual on their own property, then where, in their own country, shall they truly find constitutional justice?
In short and simple, let all the Hindus in Bharat understand this - The bitter truth is - The Chennai High Court affirmed our right to light the Deepathoon - first by a single judge, then upheld by a higher bench. Legally, the battle was won. Yet, practically, we were forced to adjust.
Ask yourself - Can any religious festival be moved a week late? Can a holy day's celebration be shifted to a different time? No. Because the sanctity of religious time and the integrity of every religious calendar is non-negotiable.
Yet, for Sanatana Dharma, the moment—the sacred Karthigai Deepam—was stolen, vanished forever. Why? Because Hindus can be taken for granted. Sometimes it's the governments, sometimes it’s the executive, sometimes it’s the NGOs, sometimes it’s a random pseudo intellectual groups – but every time, it is Hindus who accept the loss and adjust. We secured the right, but lost the ritual. This repeated, systemic denial is why a time has come to demand more than just court victories - We need the Sanatana Dharma Raksha Board where devotees actively manage their own temples and religious affairs.
Mockery of Hindu traditions and rituals has become a norm for certain groups. Do they dare to do the same for other religious events?
Does Article 25 become an optional right instead of a fundamental right to the Hindus? Can a Police Commissioner or a District Magistrate unilaterally nullify a specific High Court Directive? If the High Court confirmed the Deepam lighting was a "harmless religious act" on legally owned land, who decides that this practice constitutes a threat to "communal harmony," and by what legal mechanism? How come HR&CE Department consistently and repeatedly act against the interests of Hindu devotees and their temple's traditions, and how do these officials evade serious accountability?
Hindus should observe the collective spirit and solidarity shown by practitioners of Abrahamic religions (religions of Arabian origin) when religious issues arise. They overcome their ethnic, regional, and linguistic differences for the sake of their faith.
As long as Hindus remain divided by caste, regional, and linguistic barriers, the mockery, insults, and abuses against the Hindu religion and its practices shall continue. If Hindus in our nation don't unite under a common minimum program with the collective spirit of Hindu Dharma (or Aram in Tamil), this spirit will be lost.
I hope for a day when every Hindu from Kashmir to Kanyakumari and Kamakhya to Dwarka wakes up to the humiliation Hindus face in their own land.
#Tiruparakundaram
#SanatanaDharmaRakshaBoard