McMurphy

I'm not lookin' at the movie 'cause I saw it seven years ago. It's The Mack with Max Julien, Carol Speed, and Richard Pryor...

[McMurphy @PeepongTim]

@7559pr @CachauPhilippe @wispelaere_jean La postérité trie (sic).

[Cakiz @Cakiz1]

Bégaudeau et PYR dans Pokémon

[Eyes On Cinema @RealEOC]

Anthony Hopkins as Hannibal Lecter impersonating Rocky Balboa

[Dr. Clown, PhD @DrClownPhD]

In 2–3 years, there will be no way to tell what’s real and what’s not… and I have no idea how humanity will deal with this enormous problem.

[Cakiz @Cakiz1]

Le fossoyeur de films analyse la Pat Patrouille (repost officiel 🤷‍♂️)

[edgarwright @edgarwright]

I am deeply saddened by the passing of Terence Stamp, a British actor who was truly iconic. An East Ender that rose to such fame in Swinging Sixties London, he could rightly be called its epicentre. Terence’s career spanned seven decades and never stopped surprising. I was fortunate enough to work with him on what became his final screen role in Last Night in Soho.

Terence was kind, funny, and endlessly fascinating. I loved discussing music with him (his brother managed The Who, and he’s name-checked in The Kinks’ Waterloo Sunset) or reminiscing about his films, going back to his debut in Billy Budd. He spoke of his last shot in that film, describing a transcendental moment with the camera — a sense of becoming one with the lens.

Decades later, while directing him, I witnessed something similar. The closer the camera moved, the more hypnotic his presence became. In close-up, his unblinking gaze locked in so powerfully that the effect was extraordinary. Terence was a true movie star: the camera loved him, and he loved it right back.

If I have a regret, it’s that he had to endure a few night shoots — tough for an older actor. Yet this gave rise to an anecdote that lives on in Soho. In one scene, his character exits The Toucan pub via the basement stairs. It was late, and Terence — who never did many takes — looked at the setup and said: “This shot isn’t going to be in the movie.” I asked why. He deadpanned: “This staircase isn’t good enough to be in a movie.” It was one of the funniest things ever said to me on set. We did the shot and I promised it would make the cut.

Later, at a Q&A, I told this story when the Toucan’s owners were present and they immortalised his remark on a brass plaque that you can see at the top of those basement steps.

The last time I saw Terence, he was in excellent spirits. He came to record ADR and perhaps because of his prolific Italian film career, his looping was flawless. Afterwards, over tea, he regaled me with stories of Fellini, Pasolini, Wyler and Ustinov. I hugged him goodbye, but never saw him again.

You will be missed, Terry. But you are immortalised — in film, in song, in print and in the heart of the city where you were born.

https://t.co/v0RP2cpv0w

[McMurphy @PeepongTim]

Chapeau pour le travail effectué, tout comme la ligne éditoriale et le contenu (de fond et de forme) !

[David The Filmtalker @DFilmtalker]

Je vous présente la plus grosse vidéo de l’histoire de ma chaîne, en tout cas en temps de fabrication. Toute la carrière de George Miller : de Mad Max à Furiosa. Alors attachez vos ceintures et foncez à la rencontre de ce guerrier de l’image.
Lien : https://t.co/hxloZ5F3XM
RT 🔥

[McMurphy @PeepongTim]

Rockyrama - Super Stylo - https://t.co/0YuQkGqMkF - @Rockyramacrue

[McMurphy @PeepongTim]

https://t.co/wv8tdChm1l

[McMurphy @PeepongTim]

@realMutafukaz @label619 @turbokidfr Dommage. Merci d'avoir pris le temps de répondre.

[McMurphy @PeepongTim]

@princessmel_87 Me

[McMurphy @PeepongTim]

@Condetesmorts3 Pour ta maj.
C'est offert :)
"Sors de ta zone de confort"
"...sublime le produit"
"Une vraie prise de risque"
"Cela apporte un petit twist"
"On est sur quelque chose de très gourmand"
🙄
Bonus : Et la coupure pub la plus "too much" est attribuée à...

[Hubert Smeets @hubertsmeets]

Bansky 👇

[McMurphy @PeepongTim]

@CanalDidier Merci Didier. On sent clairement l'émotion (ainsi que la passion artistique) tout au long de l'article.
Touché.

[cinesthetic. @TheCinesthetic]

Let’s remember David Lynch, explaining on why he told stories the way he did.

[cinesthetic. @TheCinesthetic]

David Lynch’s final role was as John Ford in The Fabelmans (2022), directed by Steven Spielberg.

[McMurphy @PeepongTim]

@StephBelpeche @CanalDidier Emphysème dixit Variety