Last year, we started a historical research into handwriting, and formulated a concept of a new typeface. This year, we worked with a cognitive psychologist @hectormangas and lettering artist @docekalovapetra to create a typeface fuelled by this research
https://t.co/ST6GDTY9Ti
We republished an article originally written for @eyemagazine examining the notions of originality in type design and the boundaries between interpretation and plagiarism.
https://t.co/cfyhezhvsW
Read the article about the process of designing Bangla, Devanagari, Gujarati, Gurmukhi, Kannada, Malayalam, Meetei Mayek, Odia, Ol Chiki, Sinhala, Tamil, and Telugu fonts and the research behind it: https://t.co/jkfyrvfFAa
South Asia is one of the most linguistically diverse places on this planet. At @typotheque we worked on supporting as many of these languages as possible. https://t.co/4E31F6Qj2j
🇮🇪Fontstand Conference is coming to Dublin! 🇮🇪Join the world-class speakers, for two days of workshops and presentations about various aspects of typography in print, motion design, and branding. 8–9 September, 2023 https://t.co/ycyqGImDrG
@TimothyDSnyder thank you for allowing us to enjoy your Yale course on the history of Ukraine. I just finished it and profoundly enjoyed it (and learned a lot). It also got me interested in the history of Habsburg monarchy. Is there a book or podcast you would recommend?
We have over 100 responses so far, but to be able to make solid conclusions, we need have 100 more. Do you know someone who speaks Armenian? Ask them to fill the form! 🙏
On the recent trip to lecture at Elisava in Barcelona, I spoke to my good friend @laurameseguer about the past, present and the future. The conversation is available as a 40min podcast.
https://t.co/dsOmHq2p9R
To better to understand Armenian readers preferences and legibility of certain type design choices we prepared an online survey. Do you speak Armenian? Please take part, or help us spread the word.
https://t.co/TEbPniKvBG
Artery is the new book by Allison Katz – a Canadian artist based in London – published by MIT Press. Mathias Clottu designed it. On Fontstand News, you can read Michela Zoppi’s interview with him. A lovely book, full of text set in Fonderie Olive fonts! https://t.co/kZ3McBH83d
If you are interested in publishing, here is an interesting piece about publishing models for independent publishers. Our @WorksThatWork is mentioned too. https://t.co/TNVRWSXWbQ
Good news! After selling out all tickets in less than 48 hours, we have a new venue for the #FontstandCon2022, and are able to offer 50 more tickets. The conference will take place at the @BenGDenHaag on 9–10 September, get your ticket here: https://t.co/ycyqGImDrG