Siempre estuvo ahí. 🫀🥹✨
En medio de nuestra ciudad, haciendo parte del paisaje, viendo pasar los días, las historias y generaciones enteras de caleños.
📍El Monumento a la Solidaridad siempre estuvo ahí… pero quizás nunca habíamos entendido tanto lo que representa como hoy.🥰🫂
Porque en los momentos más difíciles, Cali nos recordó de qué estamos hechos: de manos que ayudan, de personas que comparten, de abrazos entre desconocidos, de empresas que se unen, de vecinos que cuidan, de gente que, aun teniendo poco, encuentra algo para dar.🫱🏼🫲🏾
Hoy la solidaridad dejó de ser un monumento para convertirse en nuestra gente. ❤️
Somos unión. Somos empatía. Somos esperanza. Somos esa mano que aparece cuando alguien más la necesita.🫂
La ciudad ha sido golpeada, sí, pero también nos ha permitido ver una de sus caras más bonitas: la de los caleños cuidando a los caleños.🥹❤️🩹
Siempre estuvo ahí.
Solo necesitábamos volver a mirarla. 🫂
Cali, la solidaridad también somos nosotros. ❤️💙🤍💚
Vídeo: D.R.A.
@peplmGameDev I really would love to see a breakdown cause this is insane! I also just bought your bundle from the asset store and is so well-crafted!!
If you are an aspiring 3D environment/prop artist, it's very important that you understand the scarcity of texture memory. Production artists go to great lengths to squeeze the most from the least possible amount of textures.
If you are building a portfolio, include pieces that showcase:
- trim sheets,
- vertex paint masks,
- utilization of multiple UV sets,
- tiling textures and how you hide their repetition.
These works won't get you hundreds of likes, but they'll show that you have the right sensibilities. You don't have to be a tech artist and build an entire pipeline. Just showing that you are aware of those concepts is a strong signal to your future lead.
You do need pretty renders and hero props to get likes, establish your name and attract recruiters.
But don't ignore the biggest pain point of every single graphics-heavy production.
My favorite resources on the topic:
- The Ultimate Trim: Texturing Techniques of Sunset Overdrive — Morten Olsen (Insomniac Games)
Elegant and lightweight pipeline, almost an art form in itself.
- Behind the Art of Battlefield and Battlefront — Joel Zakrisson (DICE)
My personal favorite. Love the double UVs and the detail normals. Revisited this article many times over the years.
- Cyberpunk 2077: A World Full of Substance — Krzysztof Krzyścin (CDPR)
The gargantuan scale of CP2077, vast sightlines, high detail density — CDPR created a miracle.
- Driving Innovation: A New Vehicle Pipeline for 'The Last of Us: Part II' — Matthew Johns (Naughty Dog)
Helps drive home the actual sizes of used textures.
- Building the World of 'The Ascent' — Tor Frick (Neon Giant)
Teaches you what does and doesn't matter in production. Shows you how much data you can squeeze from an asset (color masks, mesh maps).
- Seaside Town UE4 — Vytautas Katarzis
All-time classic. Hyper-optimized doesn't mean ugly.
- Old Freight Car — Aleksandr Silantev
Very thorough breakdown that takes you deep behind the scenes.
- Modular Wood-Shack Kit: Insurgency Sandstorm — Vuk Banovic
Beautiful little example of how far you can take a single texture set.