We are pleased to announce that the documentary 'From Likhaee to Parkash' is now available: https://t.co/lFitJ2e924
The documentary is the first of its kind and includes insights into Pothi Seva’s philosophical and technical approach to the binding and rebinding of Pothi Sahibs.
* NEW SIKH DOCUMENTARY RELEASED *
Respected international Sikh org Pothi Seva have released a documentary on their much celebrated work of restoring Sikh scriptures. In the Sikh faith, GurBani (Guru's words, Sikh scripture) is considered sacred.
Watch it
https://t.co/hkMxi02unF
@BodCons@mcburney_nick @ilikeoldbooks @simon_beattie@eckropf@dan_a_lowe @Jake___Benson @tuhfatulhind @BodCons Very interesting surviving Indian decorated papers can be found on 19thC lithographed books. People like Ulrike Stark and Graham Shaw may be able to recognise them.
Pothi Seva overseas member Surjit Singh is currently an MA student at the National Museum Institute, New Delhi. As part of his MA studies, he attended a printmaking workshop in which he experimented with various… https://t.co/1OFcLt5lTK
Stone Lithography: Part Two
A short blog-post on transfer lithography in the Gurmukhi tradition covering the basic steps in this fascinating process. We hope you enjoy!
https://t.co/GI3ws60ojd
|| Pothi Seva 5 day course at Montefiascone, Italy @themonteproject ||Fortunate opportunity creating a replica of an 18th Century Sri Guru Granth Sahib Ji, based on two original Adi Guru Granth Sahib Ji manuscripts. Thank you for allowing us to teach at #Montefiascone this year.
||#BabaShaamSinghScholarship 2019|| Week 4 & 5: Surjit Singh spent time at #PothiSeva building models of bindings based on various historic bindings; Coptic bindings, Islamicate bindings, Gurmukhi Pothi Sahibs etc. in order to to explore how book structure effects movement.
||#BabaShaamSinghScholarship 2019 || Week 5: Pothi Seva run workshop - building models of #Islamicate (partial leather binding with decorative marbled paper) and late #Copticbindings (papyrus boards and some papyrus sections). The workshop helps students to understand structures.
|| #BabaShaamSinghScholarship 2019 || Week 4: Surjit Singh spent time at #PothiSeva building models of bindings based on historic Gurmukhi Pothi Sahibs as well as structures with adapted conservation features, which is an essential part of book conservation training.
|| #BabaShaamSinghScholarship 2019 || Week 4 and 5 (In focus): Surjit Singh spent time at #PothiSeva building models of bindings based on historic various historic bindings. This included Coptic bindings, Islamicate… https://t.co/cbkpMKxBjP
|| #BabaShaamSinghScholarship 2019 || Week 2: Funded study trip - Surjit Singh spent time at the Oxford Conservation Consortium, participating in preventive conservation projects at #mertoncollegeoxford, @trinitycollegeox and @univcollegeoxford
||Baba Shaam Singh Scholarship 2019|| Week 1: Surjit Singh spent time as a volunteer at Victoria Stevens Conservations. Working on book cleaning projects at #winchestercathedral, completing paper repairs from the #salterscompany and starting his first project at Pothi Seva.
||Baba Shaam Singh Scholarship 2019-Surjit Singh Week Four| In week four of his #BabaShaamSinghScholarship funded study trip, Surjit Singh spent time at Pothi Seva building models of bindings based on historic… https://t.co/WLvQ1NqnB5
Our first recipient of the#BabaShaamSinghScholarship is Surjit Singh, an MA Conservation student from NMI New Delhi. Thee first week of his study placement was with Victoria Stevens from @TinMillPress. Read about it below!
||Baba Shaam Singh Scholarship 2019-Surjit Singh|| The first recipient of the #BabaShaamSinghScholarship was Surjit Singh, an MA Conservation Student from the National Museum Institute in New Delhi. Surjit Singh is… https://t.co/MoAZdg2D2A
”Pothi Seva #Workshop || #Sikh2inspire Camp ‘19. Part 1: presentation on the historical creation of Sikh Manuscripts. Part 2: Teaching Sangat how to bind a book using traditional techniques used to bind historical Maharaj Saroops. Thank you @Sikh2Inspire for the opportunity.”
II Mending Using an Infill II Image: The bottom left hand corner of this #endpaper was missing/damaged. The new #infill was toned with acrylic and pasted down using starch paste, and Japanese repair paper. It is toned in further using powdered pastel pencils.