Diversification has always been an important strategy for Lego, right from its block building toys to movies to video games and now an augmented reality video-making app - Vidiyo, where the brand plans to encourage creativity in children by integrating music into its brick game.
We’re super excited to announce LEGO VIDIYO - a brand new line of music inspired LEGO products! 🎤 🤩
Capture the Beat of Your World 💥 @UMG
Stay tuned for the full reveal… https://t.co/K0iMIHCsdk
Just keeping our fingers crossed for this one 🤞🏻
#spiderman#marveluniverse#aura
[ Spider-Man Brand New Day, Trailer, Tom Holland, Peter Parker, Trending, MCU ]
Sir Duncan the Tall is the ultimate archetype of the realization of the best version of yourself.
At the beginning of “A Knight of The Seven Kingdoms,” Dunk carries the frame of a King but the clear self-concept of a PEASANT.
At Ashford Meadow, Dunk flirts with losing everything as a "Hedge Knight.” He’s essentially a soul standing at the threshold of the UNKNOWN. He is a beast of a man COMPLETELY UNSURE of his own magnitude.
Then comes Prince Aerion Targaryen. The Egregore of unearned power. Forceful cruelty hiding behind a crown.
When Dunk literally kicks this princes teeth in to save a defenseless puppeteer, it serves as the first domino falling in the process of shattering his own internal limitations. He chose TRUTH over SAFETY. He acted from BEING, not status.
Most men of today are “Duncans” in waiting.
They have the vision. They have the vessel. They have the physical, mental, and spiritual potential.
BUT THEY ARE ASLEEP.
They are waiting for a "Sir" to dub them. They are waiting for the world to tell them they are allowed to be great. They have everything they need to succeed ALREADY WITHIN THEM, but they refuse to recognize (or fear) the Presence.
Dunk becomes the most legendary Knight in history through THOUGHTLESS CONVICTION. He stopped acting from his circumstances and started acting from his ESSENCE. Most men today would watch the Prince commit an atrocity and LOOK AT THE FLOOR. They choose the comfort of the Squire over the risk of the Knight.
YOU ARE ALREADY THE PERSON YOU INTEND TO BE.
The horse, the armor, and the strength are already in your possession. You are simply refusing to see the scale of your own soul.
Stop asking for permission.
Stop waiting for the “right time.”
KICK THE PRINCE’S TEETH IN.
Yuji’s Cog Speech & his will to keep turning ⚙️:
Itadori, in JJK Season 3 Episode 6, is basically admitting he isn’t some destined hero, just a single piece in a massive, uncaring machine that can easily be discarded. HOWEVER, instead of rejecting that, he embraces it. If being a tiny cog means someone else gets to live, he’s willing to keep turning, even if he cracks, even if he’s forgotten. It’s his way of saying he’ll carry the weight no matter how much it hurts, because someone has to & he refuses to run from that, no matter what comes at him🔩
Novak Djokovic on beating Jannik Sinner and reaching his 38th Grand Slam Final:
"I never stopped doubting, I never stopped believing in myself [but] there's a lot of people that doubt me, and there's a lot of experts, all of a sudden, that wanted to retire me, or we have retired me many times in the last couple of years," he said, "but I want to thank them all because they gave me strength, they gave me motivation to prove them wrong, which I have tonight."
"For me, it's not a surprise, to be honest, I know what I'm capable of."
Source:
https://t.co/JK8kNCxjkt
Someone said Jinichi’s “aura farming” walk isn’t arrogance, but acceptance & I kind of like it (let me explain):
The JJK Season 3 anime took a unique direction by making him do this & it almost look like he accepted his impending fate. As Toji’s older brother, he KNOWS firsthand THAT strength is beyond anything the Zenin Clan could ever imagine, with Maki becoming just like Toji.
While Ranta clings to the delusion they can win, Jinichi understands it’s hopeless. His last attack almost looked like a final act of pride as a Zenin sorcerer, fully aware he’s doomed. Stoic & resigned, his movements carry a “let’s get this over with” weight, defeat etched plainly on his face. The animators’ choice makes this clear, it’s an intentional portrayal of reluctant inevitability.