The idea that #Fela’s name will remain permanently dominant in public consciousness is not guaranteed. History shows that even the most influential musicians eventually become less familiar to newer generations. Many young listeners today barely know the early work of artists
like Tuface Idibia, D’banj, or even 9ice, despite the fact that these individuals shaped entire eras of Nigerian music. Regarding the claim of who “started” Afrobeats, the conversation often becomes confused because people mix up Afrobeat and Afrobeats. Fela Anikulapo-Kuti
undeniably created Afrobeat. A genre documented through landmark albums such as Zombie (1976), Expensive Shit (1975), and Coffin for Head of State (1980). His sound was a fusion of highlife, jazz, funk, and Yoruba rhythms, and his political messaging defined the genre.
However, Afrobeats, the contemporary global sound, is not the creation of a single individual. It emerged from decades of experimentation by producers and artists across Nigeria and beyond. The influence of highlife, juju, Fuji and the early Afropop era
The modern production revolution by Don Jazzy, Sarz, and others all contributed to shaping what we now call Afrobeats. Artists like D’banj, Wande Coal, Runtown and many more expanded the sound into a global movement.
The genre is still evolving. If Fela were alive to hear the sonic direction of artists like Rema, BNXN, or Asake, he would likely be surprised by how far the music has travelled, not because the new generation is superior, but because music naturally grows beyond its foundation.
Ultimately, Fela laid the groundwork for Afrobeat, but no single person can claim to have “started” Afrobeats. The modern sound is a collective achievement shaped by multiple eras, influences, and innovators.
Ultimately, Fela laid the groundwork for Afrobeat, but no single person can claim to have “started” Afrobeats. The modern sound is a collective achievement shaped by multiple eras, influences, and innovators.
The idea that #Fela’s name will remain permanently dominant in public consciousness is not guaranteed. History shows that even the most influential musicians eventually become less familiar to newer generations. Many young listeners today barely know the early work of artists
The genre is still evolving. If Fela were alive to hear the sonic direction of artists like Rema, BNXN, or Asake, he would likely be surprised by how far the music has travelled, not because the new generation is superior, but because music naturally grows beyond its foundation.
3/11 - it reads “No citizen shall be subjected to any disability by reason of the circumstances of his birth.” This section supports freedom from discrimination, a fundamental right. It's designed to protect individuals from being denied opportunities (like employment).
2/11 - It’s not just policy. It is a blend of bias, outdated culture, and systemic failure.
And yes, there’s a Senate bill trying to stop it. Here's what you should know. These age limits aren’t legal, and in fact, they contradict Section 42(2) of the Nigerian Constitution.