We partnered with @AppleMusic to create an immersive #SpatialAudio experience for our official concert album! 🎵
Visit the music kiosk in the colosseum to redeem up to 2 months of free access to Apple Music: https://t.co/pJHqsJp9cC
I love lots of plug-ins and use them all the time, but it is amazing how much pulling out a cool piece of hardware can inspire Musician’s on a session. #guitareffects#tapedelay#wemcopycat https://t.co/4RqZlSbsUi
So far I am pretty impressed with the BigFreq from @empiricallabs, but will be a while before I know if it can replace my beloved LilFeq hardware. https://t.co/CIJdU6Ja8O
I am always happy when Records done with Digital amp modelers show up with the Raw grr track when I mix them. This way I can run the track through a real amp and almost always get some thing that works better. https://t.co/HjaBiUiOT5
One of my regular mixing clients usually sends me sessions with the tracks recorded at fairly low levels. There is not a single thing in the universe that bothers me about this! I would take that over really hot… https://t.co/5RfC092xnx
Things I never thought that I would see, Lars from Metallica saying the name of my high school band. The backstory is that my first band and Dave’s first band are the same band, but we were in it at different times.… https://t.co/pDJX5JoIko
The @adesignsaudio EM-EQ2 Is still one of my favorite tools for adding girth to a mix or master. It kind of has the bigness of a Pultec, without as much coloration. https://t.co/BVS4UCqaLp
Attack modification on the Empirical Labs Arousor does some interesting things on percussion. It really helped a conga track pop out of a dense mix. @empiricallabs#compressorplugins#mixingtips https://t.co/yUqmjDIIuQ
I do most of my mastering work on custom built three-way monitors with thousand watt amps in the subs on each side, but nothing goes out to clients until I have fine-tuned it on my smallest speakers. #masteringtips… https://t.co/47rxLcyx8Y