De la misma forma que los jugadores de PC hemos presumido durante años de no pagar por el online también podríamos aprender algo de los jugadores de consola que no quieren dar por muerto el formato físico
De qué se quejan los incels si god of war representa la familia tradicional
Padre calvo con problemas de ira
Madre resolutiva
Hijo furro con mullet
Qué tiene esto de woke?????? Si es la estructura familiar promedio de Badalona
Tengo una clave europea de 007 First Light para STEAM que me compré en Eneba (no es #publi pero por si acaso). La quiero sortear porque no la voy a utilizar y mejor que alguien la aproveche.
Dale un RT o un fav si te interesa este juegazo
Se han puesto nerviosos. 🤷🏽♂️ Algo estamos haciendo bien.
Piensa por ti mismo y mira el documental completo en la web de RTVE Play: “Se nos ha ido de las manos”.
Sure, your eyes aren’t tricking you. That clip looks better than the new trailer, and the reason has nothing to do with talent. The VFX supervisor on Amazing Spider-Man 2 in 2014? Jerome Chen. The VFX supervisor on Brand New Day? Also Jerome Chen. Same person. Completely different system around him.
In 2014, Chen had 50 effects artists at Sony Imageworks, the largest VFX crew the studio had ever put on a single project. They handled about 1,000 of the film’s 1,600 VFX shots on a $255 million budget. The crew shot on real film (not digital), on location in actual New York City, scanned Times Square with 36,000 photographs of over 100 billboards, and built physical lighting rigs on set so the CGI would match the real world.
Now look at how Marvel makes Spider-Man movies. No Way Home had 2,500 VFX shots spread across 12 studios and about 3,000 artists. The budget was $200 million, $55 million less than TASM2 despite having 56% more VFX shots. Digital Domain, one of the VFX vendors, was delivering final shots days before the December 17, 2021, release. They kept reworking shots into mid-January, after the movie was already in theaters.
Zoom out, and the math gets worse. Marvel released 6 films between 2008 and 2012. From 2023 to 2025, they pushed out 7 films and 7 TV shows. The Hollywood union representing VFX workers reported that Marvel pays artists about 20% below industry average and staffs one person where other studios hire three. Artists described 64-hour weeks and breakdowns on the job. Then, in February 2025, Technicolor, the parent company of MPC (three-time Oscar winner for Life of Pi, The Jungle Book, and 1917), collapsed almost overnight. 4,500 jobs gone globally. The studio had been actively working on Disney and Paramount films when the lights went out.
Brand New Day has four months before release, and trailers routinely show unfinished shots. But the gap between a 2014 Spider-Man and a 2026 Spider-Man has nothing to do with technology going backwards. The industry has been asked to do three times the work for less money per shot while its biggest studios are going under.
Necesito ayuda de la buena gente de Twitter 🙏
Un colega que es como un hermano para mi se queda en la calle porque le cumple el contrato de alquiler, hace pocos dias ha fallecido su madre y ni con esas han sido comprensivos
ISLA CRISTINA HUELVA
COMPARTID POR FAVOR ‼️