now live and free for all: my interview with NYFF64 filmmaker Heather Landsman (@C05M1C57R4N63R) on her new short ee, sexual gambling, PS2 aesthetics, MiniDV dreams, working with @foxxobel and @willmenaker, and so much more! https://t.co/akxzu0L3FV
Sorry for the notes app but I thought this was important. Please read the attached pic. Thanks to
@woahitsjuanito, for drawing my attention to this.
Donate: https://t.co/AlMuTXgMlz
Allegations: https://t.co/WwvAET6u2A
(repost with correct link)
I always repost this whenever it appears. Godard literally shot this in like fifteen minutes, edited it at his hotel and had his assistant bring the reel to the Nike execs
We need to make filmmaking more affordable.
That’s exactly why non-profits such as the Millennium Film Workshop are so important.
Memberships start at just $80/year for unlimited access to cameras, workshops, and community screenings.
Because everyone should have access to the magic of filmmaking.
Sometimes I look out over a body of water and think about pixel shaders — superimposed waveforms, fresnel effects, intra-pixel maximum finding and analytical anti-aliasing. In the age of gen-AI rendering, this is like the old mechanics working on WW2 era piston planes. A craft of a prior era.