RyougiKyo🐏🐙

Ryu Ga Gotoku/Yakuza and Persona series lover, Fighting games Enthusiastic, Dramance Rolerus Adictus (watcher & player but not so much director)

[Metal Gear España @mgscastellano]

Alfonso Vallés sobre la gran María Luisa Solá @OpenWorldNowcom

[m-pien @mpien6]

Ina singing Kanata's last original song...her voice so beautiful...thank you🥺🥺🥺💜💙

#holoSerendipity

[Sacred Materia @sacredmateria]

¡Yuffie domina el ULTRA INSTINTO y el KAMEHAMEHA con esta build!
¿Tendría que disfrazarse de Goku o de Naruto? ¡Comprobadlo en el vídeo que os traigo!

Link en el siguiente tuit👇

[BlaParky | COMMS OPEN On Ko-Fi @BlaParky]

#holoSerendipity #inART #かなたーと
"Even If I Have Thousands Of Reasons To Give Up
​​​I Still Hold On To A Small Bit Of Courage"

[RyougiKyo🐏🐙 @RyougiKyo]

@sacredmateria Se viene Build de evasión de Yuffie?

[RyougiKyo🐏🐙 @RyougiKyo]

@ComunidArcsys Me ha salido muro de texto al leer la pregunta y lo mismo ni eh contestado en el sentido en el que iba...perdón...

[Katsuhiro Harada @Harada_TEKKEN]

From my perspective, Miyazaki is a rather unique, yet extremely serious game developer.

His career did not begin in the game industry. In fact, he didn’t become a game developer until he was almost thirty years old.

Even among developers of my generation (those of us born in the 1970s), I think it’s remarkable that someone who wasn’t even a game developer during the dawn of the polygon era eventually became one of Japan’s most representative game creators. (In other words, compared to the rest of us from the same generation—including myself—his career path is exceptionally unusual. Most notably, unlike many of us, he was not working at one of the major development studios that held a significant technological advantage during the early polygon era. That, more than anything else, is what makes his path so unique.)

Next, regarding my impression of Dark Souls.

People often focus on its difficulty as a game, but I believe Miyazaki’s true creativity shines through in the world he created. (By the way, I personally think Dark Souls has fairly simple action mechanics, and I don’t actually consider it to be an especially difficult game.)

If you look into my own career, you’ll see that I was personally involved with the Dark Souls series and Elden Ring as the General Manager overseeing both production and marketing (Just to clarify, I wasn't part of the development team itself. My involvement was simply as the General Manager of the publisher-side department overseeing production and marketing). From that perspective, I can say that Dark Souls didn’t suddenly become a massive success overnight. It was the result of everything Miyazaki and his team had built up through their previous titles.

Today, he receives offers from all over the world, but when I think back to the days when he and his team were struggling the most, many of those offers seem like they’re coming from people who only know who they are today. Some of them almost feel like complete reversals in attitude. Well, that’s just my personal perspective.

Personally, I had grown tired of people who would simply compare games by saying things like, “That title cost X billion yen to make and sold Y million copies,” and then use nothing but those numbers to judge them against other games. There were so many people who couldn’t appreciate the journey or the growth of the developers themselves. Anyone can look at the current numbers—they’re available to everyone. Whenever I heard those kinds of opinions, I always thought, “That’s exactly what you’d expect from someone who’s never actually developed games.”
What surprised me even more was that, even if people couldn’t properly evaluate that journey, almost nobody even seemed interested in trying to understand the process of how those developers gradually reached where they are today.
(I'm NOT talking about the fan community).

Now, going back to Miyazaki, there are two things about him that have always stayed with me.

The first was back when I was developing Summer Lesson for VR, around the time it was generating a lot of buzz.

One day, he came to try an early build of Summer Lesson along with people from several other game companies.

While everyone else was laughing, chatting, and having fun with it, Miyazaki alone played it with incredible seriousness. Then, after everyone had finished and started discussing their impressions, he remained completely silent, staring intently at the preview monitor, deep in thought.

Everyone became curious and finally asked him, “Miyazaki, what are you thinking about?”

He suddenly smiled and said,

“Oh… I got completely absorbed in thinking about what I would do if I were making this, and what kind of game I’d create.”

What he talked about after that was, in the best possible sense, completely insane.

It was one of those rare moments when I caught a glimpse of what I’d call his “mad scientist” side—his deeply serious, obsessive approach to creativity.

The other thing that left a strong impression on me was that he generally dislikes video interviews (including live streaming).

I once asked him about it by email, and he replied with quite a long explanation. After reading it, I completely understood where he was coming from.

Simply put, he doesn’t like watching himself moving around on video. (Psychologically speaking, it’s actually a bit more complicated than that.)

But there was another reason.

According to him, there are naturally many people in this industry who know games far better than he does. Whenever he listens to those people speak, he realizes that his own understanding is still shallow, and it makes him feel that he’s not yet in a position to be the one talking about games.

I mean… it’s common for well-known developers to say, “I still have a long way to go.”

But whenever someone like him says that, my reaction is always,

“Come on… if you say you’re still not there yet, then the rest of us won’t feel qualified to talk about games at all.” (laugh)

Anyway, that’s one of the reasons why video interviews with Miyazaki are extremely rare. And conversations with him on camera—especially long-form discussions with another developer—are even rarer. They almost don’t exist at all.

By the way, the other game developer in that photo is Masahiro Sakurai.

If you ask me, he’s basically:

“A Saiyan who genuinely believes he’s just another ordinary human.”

Every now and then, when the rest of us are struggling with some problem, he’ll say something that sounds exactly like Goku saying,

“Well… why don’t you just fly?”

And I’ll reply,

“Because we humans can’t use Flight Technique.”

Then he just stares at me with a completely puzzled look.

To put it in terms of Demon Slayer, I’d describe him as:

"Like Muzan Kibutsuji casually showing up at a drinking party where all the Hashira have gathered, genuinely believing he's just another ordinary guest".

That’s the kind of person he is.

[RyougiKyo🐏🐙 @RyougiKyo]

@ComunidArcsys https://t.co/kXqdv0Ziyw

https://t.co/C2ktQoc9i9

Mecanicamente es un Juego táctico, al estilo de los Super Robot Wars, pero a nivel de cinematicas....

[RyougiKyo🐏🐙 @RyougiKyo]

@ComunidArcsys Más que una collab es que forman parte de ello, Queen's gate es el mundo de los "cross overs" en la franquicia Queen's Blade.

[Official ATLUS West @Atlus_West]

Happy birthday, Maya Amano! 🎂🧡 #P30th

[Comunidad Arc System Works @ComunidArcsys]

Hilo paralelo consistente en la misma colaboración de Blazblue // Guilty Gear x Destiny Child.

Además de las escenas de las aguas termales, ¡esta colaboración nos deleitó con nuevo arte los personajes!

Noel Vermillion - Blazblue

[RyougiKyo🐏🐙 @RyougiKyo]

@sacredmateria @jfranavila @dan_chaos @todorpgpodcast Y lo peor es...que a nadie le sorprende ya...

[Moemon HQ @MoemonOfficial]

Moemon Players, please review this important announcement about our games going forward 💜🎮

[Nix0n @UnTalNixon_exe]

🚨NINTENDO MATÓ TODOS LOS EMULADORES DE SWITCH... PERO NO PUDO MATAR ESTO

En 2024 Nintendo declaró la guerra.

Yuzu pagó $2.4 millones y desapareció.
Ryujinx fue borrado de GitHub de la noche a la mañana.
Nintendo mandó más de 8.500 DMCA para eliminar forks.

Para 2026 ya habían cobrado $6 millones en demandas contra emuladores.

Pero un desarrollador llamado Zurdi hizo algo diferente.

En marzo de 2023 (un año antes de la guerra) creó **RomM**.

RomM no es un emulador.
Es un gestor de ROMs self-hosted que:

- Escanea tus juegos legales
- Descarga metadatos, carátulas y logros automáticamente
- Te deja jugar directamente desde el navegador

Todo en una interfaz bonita y moderna.

9.3k estrellas. AGPL-3.0. Soporta más de 400 plataformas.

Mientras las empresas borran tu biblioteca digital, dos personas en un Discord construyeron el museo que nadie puede quitarte.

Guarda esto. Es de esas herramientas que vale la pena tener.

Repo 👇👇

[BLAZBLUE OFFICIAL @BLAZBLUE_PR]

【セール情報📢】
シリーズ最新作『BLAZBLUE CENTRALFICTION』に新規プレイアブルキャラクター「トリニティ＝グラスフィール」の参戦が決定！

現在Steamにてお得なセールを実施中！
https://t.co/QLLy6e9EYo

#BBCF #BLAZBLUE #ブレイブルー

[RyougiKyo🐏🐙 @RyougiKyo]

@LaCavernaGamer Personalmente, creo que el silencio se debe a que los accionistas están haciendo "balance de daños" mientras esperan a que pasé el temporal, no debería sorprendernos si nos salen con un falso comunicado en el que anuncian que recogen cable solo para hacer tiempo.

[hololive Dreams @holo_dreams_en]

/／
Steam Version Release Confirmed🎉
\＼

The Steam version of "hololive Dreams" has also been confirmed🖥🎮

▼Add it to your Steam Wishlist!
https://t.co/Q81eylygji

Play on Steam whenever you want to enjoy the game on a bigger screen🙌
Try switching between the Steam and smartphone versions to suit your playstyle📱

* Rhythm game scores will not count toward the rankings. Some items are not available for purchase.

#holodori

[RyougiKyo🐏🐙 @RyougiKyo]

@PunkPimster Ya me contarás que tal la experiencia post usual-room 😋