We are aware of reports that while the SOL bridge into 0G is live, the outbound bridge is not working. We have alerted @0G_labs to the situation and will update as soon as we have more information.
I came to @ArtBasel to observe, research, and learn. Yet somehow, the Zero 10 exhibition ended up being the section where I collected the most. So what changed my mind?
This third Zero 10 edition felt less focused on performative or participatory works and more on tracing the history of digital art, from early computer-generated experiments to protocol-native and on-chain generative art. It explored the signal running through digital art's evolution, from code to canon.
As Co-Founder & Director of @ArtverseParis, this resonated deeply with how I think about digital art: works that explore the dialogue between art, technology, and the digital realm. As both a collector and gallerist, one of my priorities is supporting artists who are shaping this conversation - established and emerging voices whose work reflects, questions, and reimagines our relationship with technology.
Did I mention the opportunity to meet artists directly? Having conversations around their practice, process, and conceptual framework provides a much richer understanding of the work itself.
So, which works joined my collection?
• Ben F. Laposky — Oscillon 16 via @AspreyStudio • Herbert W. Franke — Tanz der Elektronen via @artmetaofficial • Vera Molnár — 11 rouges and Au commencement était le carré via @Interface_art and @GalerieOniris • DEAFBEEF — SYNTH POEM: OSCILLOSCOPE No. 3 via @AspreyStudio and @_deafbeef
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Altura's COO @AurelliusEth joined @edge_pod to explain what this means for participants in the AVLT ecosystem.
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Live on the @CPOfficialtx podcast ↓