A follow-up to “Venice, You Beautiful, Moist Bastard.”
This one’s just me, the photos, and a slow spiral into critique.
Less romance. More regret. Still damp.
https://t.co/FH6hE0jafB
#substack#photography#analoguephotography#120film
VENICE, YOU BEAUTIFUL, MOIST BASTARD
“Pluit ergo sum.” (It rains, therefore I am.)
— Traditional Venetian Curse, probably
From the rain-drenched notebook of a man who can’t holiday properly
https://t.co/P4jKEgm12X
#substack#travel#photography#filmphotography#film
I got halfway across a rocky outcrop before realising I’d left the tripod back on the RIB. Nothing screams “professional” like crawling back across barnacle-covered hell with a £12k camera in your teeth and a local shouting “careful!” as if that hadn’t already occurred to me.
Dragged my spine across 17 miles of bog to take two photos.
Shot Washi. Shot Velvia. Drank holy tea. Ate cursed fruit wrapped in leaf.
The moor screamed. I screamed back.
Both prints sold.
No regrets. Only fog.
Two Rolls and a Goddamn Guava Brick
https://t.co/ZHe0rOb33A
A simple brief: make Old Harry look iconic.
So I did what any sun-damaged photographer would—wore a wide-brimmed hat of shame, sacrificed a shell to Poseidon, grabbed a camera or two, boarded a RIB, and trusted the sea not to eat me.
https://t.co/29gQj568CH
Freshwater & the Cave That Almost Adopted Me
Or: How to Photograph a Book Cover While Questioning Your Life Choices in a Damp Hole with Pigeons
Read it here. Or don't.
https://t.co/9FVxKYTXS0
A possibly unhinged love letter to the worst job I can't quit.
Just a sunburned man screaming at the tide with 50lbs of gear and zero hydration.
The art? Probably ruined.
No images. Just sand, rage, and maybe love.
Read it. Or don’t.
https://t.co/jsOPQzk5cn