I mean, there is the issue of quality, artistic integrity and the idea that it's possible for a work of art to actually, y'know, end on its own terms.
Nolan and Bale's steadfast refusal to cynically cash in on nostalgia just enriches those films even further.
What Liza Colón-Zayas has created with Tina is not discussed enough. Her character feels so real, and I root for her so hard.
Her growth across both seasons >>>