I used to intentionally not want to mix my worlds because I was afraid of taking up too much space.
I'm very much over that and am humbled that @spinmagazine gave me a platform to talk about it! Big thanks to Tara Klein for the opportunity!
https://t.co/qCKYcza8Bc
Chicago saxophonist Isaiah Collier‘s new album, The World Is on Fire, pulls no punches in its commentary on current chaos – but the album also imagines the future he’d like to see.
https://t.co/FtG0jXcAd0
Delta’s in-flight boarding music is TRASH! It’s like the 2010s without an oversaturation of toms and I never thought I’d prefer that music to anything.
Of course there’s some natural bias in this statement, but I’m telling you—the most successful press campaigns are when you treat the publicist like a trusted member of the team and not a disposable entity. 🤸🏻♀️🫡✌️
For his new album “The World Is on Fire,” the saxophonist and composer Isaiah Collier wanted the LP to be an “observation log” of the past four years — capturing recent racial violence and the protests demanding change. https://t.co/2ybPytAoy3
@FunkCityATL Zero legit vacations this year so far (but a bunch of little 2-4 day work trips that have been fun but not enough) so just trying to hold off till Sicily in October…but tempted to be like “last minute send!” and staycation 😝
Stated the day by getting called an “old lady” by an 8-year-old child halfway across the globe because I told him he can’t start on a baritone saxophone and don’t want him to hurt his back. 👵🏼