Love, and be silent.
All the love to our incredible #KingLear Company on their final performance in our wooden ‘O’ this evening – thank you for a glorious run in the storm ⛈
📸 Johan Persson
My book is finally here! Happy publication day to Between Worlds: Mina Loy’s Aesthetic Itineraries! My deepest gratitude goes to @ClemsonUP, @LivUniPress, @JD_Morgenstern, @MeroAlison, and @SEM_France! On a more personal note, thank you @JamesStrowman1 for your support.
Join us online, Thurs 11th Aug, 5:00pm (BST) for the launch of 'Lockdown Shakespeare' ed. @gemmaallred, @Ben_Broadribb & @_erinsullivan_, an important collection of essays on digital performance, innovation, and adaptation. (1/2) https://t.co/5TfRlQaknT
I'm delighted to have signed a contract for a new edition of Two Gentlemen of Verona for @Ardenpublisher A few things to get off the desk first (!) but I think this is going to be fun. #2Dudes1Dog??!
@SirPatStew (Launce) @TheRSC 1970 & Blackie the rescue dog (Crab)❤️
Who is it that can tell me who I am?
Kathryn Hunter. King Lear. Globe Theatre.
Break a leg to our whole Company for the opening of #KingLear tonight!
📸 Kate Bones
I had an unforgettable experience attending the #MarloweFestival last week! Over the course of the conference we had the pleasure of attending guided tours, fantastic paper readings, and a performance of ‘The Massacre at Paris’! I feel so blessed to have had this opportunity.
Prof Michael Dobson in @ShakesInstitute and Nanyang Technological University collaborative Shakespeare animation project! Prof Hans-Martin Rall talks about AI and digital theatre in Singapore at @BordersAlliance Equality Shakespeare Festival! #ShaxBBA@rm_mackenzie@SAAupdates
for the last couple of weeks #PortableMagic by the one and only @OldFortunatus has been my Bedtime Book, and I can confirm that it is a very very lovely thing, full of questions and answers and thoughts and deep, questing joy❤️BOOKS❤️