Get real insight from inside the TV industry! Beth Schwartz joins us for a must-see conversation on breaking into TV, getting staffed, and navigating writers’ rooms. #screenwriting#tvwritermentorshipprogram
Register NOW: https://t.co/RNxQgkKAWE
Congratulations to the winners of our Script to Screen program! 8 writers will take part in this directing initiative designed to help bring their stories to life on screen. A huge shoutout as well to our talented finalists. #screenwriting#scripttoscreen
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We're thrilled to celebrate another festival success! Congratulations to Laura Spini and Laurence Brook, whose short film HE WOKE UP TO DEFLATING NEWS earned runner-up for Best Short Film at the London Comedy Festival! #screenwriting#shortfilm#filmfestival
One of the keys to ARROW’s longevity was maintaining a consistent character voice. Stephen Amell challenged dialogue that didn’t feel true to help preserve the character across multiple seasons.
For education purposes only.
ARROW (2012) by Marc Guggenheim and Andrew Kreisberg
Our Feature Contest is judged by industry professionals like Tess McGuinness, Director of Development at Red Wagon Entertainment, who works across a slate of film and television projects and is always looking for compelling new voices.
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Thinking about entering the TV Writer Mentorship Program? Hear directly from our 2025 winners as they reflect on their experiences, lessons learned, and the opportunities that followed. #screenwriting#tvwritermentorshipprogram
Read the article here: https://t.co/2fEcgyfuKC
No AI, no automated notes, just thoughtful, professional feedback from experienced script readers in the industry. Our readers are working #writers with produced credits and deep industry knowledge, helping you take your #screenplay to the next level.
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A huge congratulations to Sam Baron, our 2017 Short Film Fund Grand Prize Winner for THE ORGY, on wrapping his debut feature, CIRCLES. It's always exciting to see our alumni continue to grow their careers and bring new stories to the screen. #screenwriting
#TVWriterMentorshipProgram mentor Duane Luu, Director of Drama Development at Peacock, shares advice for writers looking to break in and get noticed. Want access to mentors like Duane? Enter before the FINAL DEADLINE on June 29th. #screenwriting
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Every week is about moving scripts closer to opportunity! Our Writer Development Manager has been sharing writers’ work with carefully selected industry contacts, keeping momentum going beyond submission and into real-world conversations. #screenwriting#writerdevelopment
Jess Brownell began at Shondaland on SCANDAL, rising from production assistant to the writers’ room. Now showrunner of BRIDGERTON, she’ll share with our TV Writer Mentorship Program winners how she leads a writers’ room & builds stories. #screenwriting
https://t.co/cXLB2xsexs
Writing a screenplay might not count as traditional cardio, but it definitely builds endurance. Every page, rewrite, and breakthrough is part of the process, keep showing up, your script is getting stronger with every session! #screenwriting#screenplay
Not every writing day feels inspired and that’s normal. The craft of #screenwriting is built on showing up, even when it’s difficult, and trusting that momentum often comes after you start writing, not before. #screenwritingtips
Join us for a conversation with showrunner and TV Writer Mentorship Program mentor, Beth Schwartz (ARROW, SWEET TOOTH), for a deep dive into writers’ rooms, staffing, and career building in television. #screenwriting#tvwriter#webinar
Register here: https://t.co/RNxQgkKAWE
Our Feature Contest connects emerging writers with industry professionals, offers cash prizes, and provides ongoing support through our dedicated Writer Development Program, helping scripts get seen and circulated. #screenwriting
https://t.co/YukpoZeJNL
The naturalism of NOMADLAND was carefully engineered. Every moment was rigorously mapped out so the actors could improvise within a controlled narrative framework. #screenwriting#scripttoscreen
Post is for education purposes only.
Scene credit: NOMADLAND (2020) by Chloé Zhao.
Our Feature Contest has helped launch careers for writers like 2017 winner Beth Curry, whose script MOONFLOWER led to industry introductions and representation with Elevate Entertainment. #screenwriting#featurefilmscreenplaycontest
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Our Feature Contest isn’t just about entering, it’s about being seen. With a dedicated Writer Development Program and direct access to industry professionals, we help connect standout scripts with the people who can take them further. #screenwriting
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A truly undeniable #screenplay can change everything, whether it’s your first or your fortieth. What matters most is strong characters, a compelling story, and the persistence to keep writing until opportunity strikes. #screenwriting#featurefilm
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