The sad part is, the producers took "bikegi picture iss gaane mae, talent apni gaand mae daalo" way too seriously.
Scripts have gone terribly down.
Kartik Aryan har gaane mae footwork karne aa jata hai, and all songs are made for reels now.
Nothing on Indian YouTube & Social Media has came close to this masterpiece ๐
AIB & Irrfan roasted the bollywood in the funniest way possible.
(๐ฅ: AIB )
Movie 52 - Rog
Well, before going in, I knew Rog would be bad. Yet I still went in for Irrfan, and he was spectacular as always. Adding to that was the KK song written by Neelesh Misra. Everything else, especially Suhel Seth, was peak cringe.
What a fucking disease ๐ค๐คง๐ฝ๏ธ
Movie 51 โ Mortal Kombat 2
For a stranger to the games or looking for a storyline, this is a migraine of random action sequences, cringe characters, and a slugfest of a plot.
For fans, though, it's a tacky, cheesy good time. Not quite a flawless victory, but hey not a fatality
Movie 50 - The Furious
The action choreography is brutal, relentless, and often the film's biggest strength.
But then, it's frustrating that everything around them feels so generic. Entertaining in bursts, but it never quite becomes the knockout it wants to be.
Movie 49 - Cape Fear
What starts as a psychological cat-and-mouse thriller slowly morphs into a horror-tinged nightmare. With Martin Scorsese's direction, Hitchcockian flourishes, and strong performances all around, Cape Fear remains gripping despite a few pacing issues.
Movie 48: Amar Akbar Anthony
Logical loopholes and a story built on coincidences that would seem absurd today, yet it works because Manmohan Desai commits to it completely, keeping entertainment above everything else.
That conviction is what turned AAA into a timeless classic.
Movie 47 - Raid: Redemption
Intense, gore and absolutely maniacal, in it's pacing as well as it's action choreography.
I am a sucker for good hand to hand combat, pictured with beautiful camerawork. Gareth Evans manages to get both and a lot more in this one.
@chitraagurav Which itself was too much similar to Bhool Bhulaiya 1. Even the songs in Bhoot Bangla were just another version of BB1 songs. The visuals, the tone, the placement, everything.
Movie 46 - Bhoot Bangla
For the first time, sadly, it feels like Kartik Aaryan understands the Akshay Kumar template better than present-day Akshay Kumar does.
The film borrows so much from Bhool Bhulaiyaa's surface that it forgets what gave it a soul.
Movie 45 - Main Vaapas Aaunga
Partition has always felt familiar, despite never having lived it. This one moved me, especially in the second half. Naseer Sir, Sanjay Suri, Rajat Kapoor, and Diljit Dosanjh carry its grief beautifully. I just wish the younger portions hit as hard.
Movie 44 - Tuner
Tuner is what happens when you mix sugar, spice, and everything nice but forget the Chemical X.
The script works. The story should work. The sound design upto some extent, works. But the editing doesn't. The screenplay lacks direction.
Could have been great!
Made me laugh. Made me emotional. Made me question cinema as a concept. ๐ญ And I'm not even kidding, made me question my choices as well. But net net, worth it.
Movie 43 - The Amazing Spider-Man
Have been a fan of Andrewโs Spiderman for the longest time. Thought nothing could top that. Until I watched TASM1 in Punjabi.
This completely unhinged dub elevated his emotional support stray cat energy and made everything even more brilliant.