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In one hand: a clothespin from the 1960s. Solid hardwood, smooth from decades of use. It still works perfectly, some 60 years later.
In the other: a clothespin from 2025. Lighter, paler wood, brittle. The spring is thin and unstable. Marketed as “extra durable,” my dad just raised an eyebrow.
At first glance, it’s just two clothespins. But they tell a bigger story — the shift from durability to disposability, from craftsmanship to cost-cutting, from stewardship to constant consumption. This is planned obsolescence in action.
Products are designed to fail so we must keep buying. Slowly, subtly, they break. Frayed wires, cracked hinges, brittle springs. Not because we want more, but because the old was never built to last.
The costs are everywhere. Landfills overflow. Wallets empty. And maybe most quietly, our spirits grow accustomed to impermanence, to the idea that nothing is meant to endure.
What if this philosophy extends beyond objects? What if it shapes how we treat relationships, communities, homes, even the Earth — as temporary, replaceable, disposable?
It doesn’t have to be this way. That 1960s clothespin reminds us another path is possible. That we once made things to last, and we can again. That quality, care, and intention matter. That we can design for repair, for continuity, for meaning.
@LeeBraganza Blimey. Every time I've been in eye casualty there is a parent of a toddler.
I once was there because of a dinosaur in the eye. I was the 3rd one that day.
The Gruffalo is back!
He’s visiting ALL Portsmouth libraries this Feb half term at BookFest for story time, crafts & cupcakes—plus a chance to meet him in person!
🎟 Tickets go fast → Book here https://t.co/LoCTcP3nk1
#PortsmouthBookFest#Gruffalo#FamilyFun
#otd 6 yrs ago we posted the "Tumbleweed" tweet, which caused a national & international media storm & gained us £10,000 of book orders.
January is ALWAYS miserable in the book trade. Please consider buying a book from us or from your fave indie bookshop today
The stats are in, FIVE THOUSAND people joined us across the day at The Merch Market.
We’re happy to hear from venues who would like to get involved - they have become way more than just a place to get merch - it’s a celebration of the relationship between bands and fans
THE MOOMINS (1977): The classic Polish/Austrian/German 'fuzzy felt' version of Tove Janson's beautiful children's books had a dark, gloomy, melancholy tone. Never more so than when the frankly terrifying Groke made an appearance...
Next year sees the 50th anniversary of Stiff Records, and I will be talking about my book about the maverick British label at the @PompeyBookFest on Friday 7 March.
Tickets go on sale on Tuesday 6 January
https://t.co/W0i4b8lVf4
#portsmouth