Sonic Acrylic

Musical Artist. Here to refocus Pop Culture towards the cultivation of wisdom and self-transcendence. SonicAcrylic.eth

[Sonic Acrylic @SonicAcrylic]

Please give an honest review of my song “Black Eye” off my last album, “Alternates”.

Most liked voice or video reply each month will receive $20 $BTC.

Topic: government & corporate narratives distract the public to keep the military industrial complex churning in the background. Stay strong and much love ✊🏻❤️.

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[Sonic Acrylic @SonicAcrylic]

Kurt Cobain's voice opened a distorted rehearsal tape that reached Butch Vig. Vig heard the songs through the noise. At 35, Nevermind still carries that tension: months of rehearsal gave Nirvana's volatility a shape that could travel far beyond the room.

[Sonic Acrylic @SonicAcrylic]

Josh Homme's party-guitar rule gets interesting beside his stories of donors talking over artists and his refusal to watch bullying. I hear a musician wrestling with how we share a room, including his own need to be heard.

[Sonic Acrylic @SonicAcrylic]

Rivers Cuomo loved Pinkerton, lost confidence after its reception, then heard crowds demand songs Weezer had stopped playing. As it approaches 30, his interviews hold two truths together: fans found companionship in the record; he still regrets the pain behind it.

[Sonic Acrylic @SonicAcrylic]

Stone Gossard warned in a 1991 interview that Seattle musicians could lose their way by writing to get signed. The industry had noticed a scene shaped by people taking chances. Its attention could now change whose approval they heard while writing.

[Sonic Acrylic @SonicAcrylic]

Chino Moreno describes writing vocals from the feeling Deftones' music creates. He also remembers kids introducing their parents to the band. Those stories belong together: an old song can give a young listener words for something their parents never knew they felt.

[Sonic Acrylic @SonicAcrylic]

Geese say their old music leaves its influences too exposed. Their love of the Beatles makes that discomfort revealing: the records that teach you to make music can keep judging it in your head. Finding your own sound means giving your instincts room to disagree.

[Sonic Acrylic @SonicAcrylic]

Josh Homme saw Carlin at nine, dreaded following Tom Waits at Bridge School, and helped Anthony Bourdain choose struggling desert spots to film. His stories connect comedy, music and friendship through the people who make a room feel different.

[Sonic Acrylic @SonicAcrylic]

Liam and Noel Gallagher's reunion film puts the crowd inside the story of reconciliation. U.S. theaters: Sept 11, 2026. Limited U.S./Canada IMAX: Sept 9. Hulu and Disney+ in the U.S. later in 2026; streaming date unannounced.

[Sonic Acrylic @SonicAcrylic]

Steven Pressfield and Rubin keep returning to the same creative discipline:
3. Borrow a seed, then transform it.
4. Make many things and follow the strongest charge.
5. Work without attachment to applause. Finish the work, then let the world decide.

[Sonic Acrylic @SonicAcrylic]

Rick Rubin recently interviewed Steven Pressfield on Tetragrammaton. Here are five takeaways from the interview that will make you more creative.

Pressfield, author of The War of Art, frames creativity as practice:
1. Name Resistance.
2. Treat self-doubt as evidence you care.

[Sonic Acrylic @SonicAcrylic]

Josh Homme tells Jake Shears that Perfecth went through Marigny Studios in New Orleans because he wanted the city to interrupt the record. Each song keeps its own world, while love supplies the thread. Friction becomes structure.

[Sonic Acrylic @SonicAcrylic]

Queens of the Stone Age turned the Perfecth announcement into a dog-adoption nightmare. Big Chungus, forced smiles, and one word repeated until reassurance becomes menace. Perfecth arrives October 30, 2026. The rollout already feels like the band.

[Sonic Acrylic @SonicAcrylic]

Mars Volta turns Jonah Hill's body into an argument for live music. Aaron offers intensity; his exhausted girlfriend hears a scheduling problem. The joke catches a private heartbreak: sharing a home with someone who cannot feel the art that makes you come alive.

[Sonic Acrylic @SonicAcrylic]

Albert Hammond Jr. calls the Strokes a “slow,” “weird art band.” That explains their longevity better than nostalgia does. Twenty-five years after Is This It, they still face the future. Their clock belongs to the music, even when culture demands a deadline.

[Sonic Acrylic @SonicAcrylic]

Isaac Brock’s Epic Records escape explains An Eraser and a Maze. When the label passed, he considered an old Ugly Casanova loophole. Instead, Modest Mouse went independent and kept the record exactly theirs: huge guitars, searching thoughts, zero artistic flinch.

[Sonic Acrylic @SonicAcrylic]

King Gizzard found Alien Metal inside a 90-minute modular jam, then spent a year learning what it meant. Their AI critique lands because machines offered ideas while six people supplied taste, struggle and connection. Tools can provoke. Participation makes art.

[Sonic Acrylic @SonicAcrylic]

Christopher Nolan made The Odyssey’s trickery structural. As Pageau sees it, the film itself becomes a Trojan horse, carrying homecoming, fatherhood and inherited authority through a spectacle of disguise. Its depth and truthfulness make it an instant all-time classic.

[Sonic Acrylic @SonicAcrylic]

Albert Hammond Jr told Rick Rubin a million people said don't haul the gear up that Costa Rica hill. The Strokes did it anyway, and Reality Awaits came back down with them. 28 years of detours and repair in one record. He calls it his favorite. I call it their best.

[Sonic Acrylic @SonicAcrylic]

He told Daft Punk he wanted to be a cyborg on Instant Crush instead of doing Strokesy. The processor is a writing tool. Reality Awaits is one of their best, a tonal jumble holding perfect sonic and emotional balance.

[Sonic Acrylic @SonicAcrylic]

Julian Casablancas tests every melody twice, once dry and once through Auto-Tune, then keeps whichever one surprises him. On 3 minutes with Marc he called it chasing secret notes within the notes, the demi-tones of Arabic scales.