@annie151092 Really amazing how impasto techniques seem invisible or not at all. Im guessing this is flattened work. Tokyo subculture in classicism 100 years early.
This is one of my favorites from recent works, really good example of my focus on nature in abstraction. This tension between forms on canvas and the natural world reveals the beauty and impossible to describe reality that is only possible in the language of paint.
This is one of my favorites from recent works, really good example of my focus on nature in abstraction. This tension between forms on canvas and the natural world reveals the beauty and impossible to describe reality that is only possible in the language of paint.
Hey all, the test of the online art show went so well I'm going to do it again this weekend. Stop by if you can online. You'll be able to see the actual size of these paintings, and I'll talk a bit about what they mean and the art history behind their methodologies. It will be live video on my artist Facebook page (Its the only professional way to go about this in this exact point in time with the quality I need). The link to the page is here: https://t.co/bpwEXnxiWs, and information about the studio can be found on my website: https://t.co/jUxtpwkkkg . It will also have a quiet, harp soundtrack for quiet viewing, you're welcome to this exhibition. My first in Marin.
Hey all, really grateful for all the response to my paintings! I put up an etsy to try and find a way to share these long term with the community, there's a lot available, from my Transcendentalist retreats in the hills a few years ago up to my most recent series. its here: https://t.co/7KCJfkdIiU