@theheatherhogan I’ve barely been on this thing since the rich dude took over- been thinking about leaving and this week I may- thanks for all the #BooRadleyVanCullen fun!! Truly it’s been nice!
I genuinely don’t understand what feels like a clear, industry wide effort to stamp out kids and YA content from TV
I GUARANTEE you people of all ages want shows like everything from Hannah Montana & iCarly to Buffy & Degrassi
But kids and teens *deserve* shows made *for* them.
Avengers #200 (1980) was meant to be a creative highpoint for one of Marvel’s flagship titles. Instead, it’s become infamous as a dark moment in the history of Carol Danvers, and of superhero comics in general. 1/9 #CaptainMarvel#TheMarvels#ComicsStudies
@GailSimone I saw The Marvels with my Granddaughter and do not understand the hate, was good fun, and she couldnt stop talking about it because it had women doing amazing things
@GailSimone Ooo good question! There’s some good ones! This page from New Warriors back in the 90s I think had me laughing… Nova is such an ass in this 😂
See, now, among all the other (important) reasons it sucks that that Emerald Mine Nepo Baby bought this site is that it took me SO LONG to figure out the Ashlyn/Sophia rumors were confirmed because Lesbian Twitter ain't what it used to be. Sigh.
i mean i feel like a lot of us have been waiting on this sophia bush news for a whhhhhhile and not even because she kept kissing girls in movies/tv shows but more because you can't realistically have a voice like that and not be kinda gay like sorry that's literally just science
Whether you realize it or not, Carmilla's popularity opened doors for many other queer genre projects. It also proved that queer women were a demo that could and should be marketed to (re: Kotex) Its impact cannot be overstated.