New! Screening the Past (@STPjournal) — Ozu’s LATE AUTUMN (1960), Hitchcock’s VERTIGO (1958), John Carpenter (@TheHorrorMaster), VF Perkins … https://t.co/CqJDOTGKrR
The @MelbCteq is in the midst of a Montgomery Clift retrospective season. From our archives, read this 2015 essay by George Kouvaros on THE MISFITS (John Huston, 1961). https://t.co/KuAAwUAMhg
@MAI_JOURNAL You can read an essay by Anna Backman Rogers in our latest issue. She writes on the female body in Sofia Coppola's THE VIRGIN SUICIDES. https://t.co/4sfufmna4c
New reading! @MAI_JOURNAL is an open access journal from editors Anna Backman Rogers & Anna Misiak, that engages with film, art, and visual culture from a radical feminist perspective. https://t.co/StuZnapY3l
ICYMI, we released our issue 43 this month, packed with two dossiers, other essays, and reviews. So many great contributions to film studies published here. https://t.co/12BaqsTcnR
"Walton’s passion and enthusiasm for her chosen film texts is contagious." - Fantastic new review in @STPjournal of @saigeN's Cinema's Baroque Flesh: https://t.co/IaHLRD66cH!
My latest - "Air, Atmosphere, Environment: Film Mood, Folk Horror and The VVitch" - is up online with @STPjournal (open access). I talk about air and mood, Bachelard and the imagination, the materiality of folk horror film and of course ... witches. https://t.co/3Uu3LjQFXB
Issue 43 is out now! Featuring the regular sections full of great essays and reviews + two special dossiers: Materialising Absence in Film and Media & Transforming Industries, Screens, Texts. https://t.co/12BaqsTcnR