🍿 Need more #JAPANCUTS film recs? Check out @The_ReelBits' top 11 picks from the festival, including director Kazuaki Kiriya's mind-bending sci-fi feast FROM THE END OF THE WORLD, a crowd-funded anime short + more!
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BLACK ADAM (2022): The Rock arrives in the DC Universe with a literal lightning bolt – but is this the jolt the studio needs to re-spark its world-building? #BLACKADAM https://t.co/5CEFIcEqoR
After doing all that Tolkien reading, of course I was going to devour the new streaming series. A week on from the finale, I've jotted down my thoughts on the first season of THE LORD OF THE RINGS: THE RINGS OF POWER. @LOTRonPrime#LOTR#LOTRROP https://t.co/QBJjSCTAN6
LILO AND STITCH premiered on this day in 2002. It was meant to be an attempt at a 'smaller' production. Twenty years later, it’s bigger, and far from broken, but still good. Yeah, still good. https://t.co/oCtAyfSYvs
LIGHTYEAR is out in cinemas now. A film about the film that inspired the toys sold in another film. This straightforward animated caper looks gorgeous as it transports us back and forth through time. All hail Sox the cat. #LightyearMovie https://t.co/vv97cfMMpx
If you think you’ve already traversed the multiverse, think again. It’s safe to say you’ve not seen another film quite like this. #EverythingEverywhereAllAtOnce🥯 https://t.co/f36YVhmtVT
He’s the star of the masquerade, so there’s need to look so afraid. The life and music of Ronnie James Dio gets the documentary treatment it deserves in this engaging look at a true legend of metal. DIO: DREAMERS NEVER DIE debuted at @SXSW#SXSW2022#SXSW https://t.co/1SzKOK3NSG
Rounding out my @SXSW coverage: it’s the story of a cartoon mouse who became a symbol and a logo for a global empire. MICKEY: THE STORY OF A MOUSE examines how M-I-C-K-E-Y (Why? Because we like him) came to be what he is today. #SXSW#SXSW2022#MickeyMouse https://t.co/Njk4cd1YPW
Following a debut at Sundance, I was lucky enough to catch CHA CHA REAL SMOOTH at @SWSW. With Cooper Raiff’s trademark open-hearted approach, this excellent character piece manages to invest a whole lot of emotion in a very compact space. #SXSW#SXSW2022 https://t.co/EWN5LySBOf
Pixar returns with one of their most heartfelt, hyperkinetic and genuinely fun coming of age films in years. More importantly, it’s a film that recognises the importance of being seen. Watch it now on @disneyplus. #TurningRed https://t.co/s6WfSBb0EP
Playing from tomorrow at the @Qscreen Mardi Gras Film Festival, NO STRAIGHT LINES: THE RISE OF QUEER COMICS is an excellent overview of #LGBTQIA+ comics and the pioneers that paved the way from the underground to the Broadway stage. #mgff22 https://t.co/so5CiQowd2
TOO COOL TO KILL is out this week from @chinalionfilm. A breezy remake of Mitani Kōki’s comedy brings much of the style of the original - and the same love of cinema. https://t.co/3O23m4jRNj
GIVE ME PITY! (2022) It's Sissy St. Claire's big night, although things don’t go as planned. Amanda Kramer's sharp dissection of the medium continues as she takes us back to an era of glitz, glamour and psychedelic existentialism. #IFFR2022@IFFR @IFFRPro https://t.co/Sw3XQaIfMf
#Reacher is now streaming on @PrimeVideo. Here's some thoughts about this fun adaptation of @LeeChildReacher that's got a solid cast and potential for longevity. You should check it out. That’s for damn sure. #ReacherOnPrime https://t.co/0qSTN00Y6J
One of the unexpected side effects of several lockdowns over the last few years was a fascination with #Hallmark movies. This is my journey. https://t.co/gfzVtNJQ31
In the latest #007CaseFiles, John Gardner's novelisation of LICENCE TO KILL attempts to reconcile the Ian Fleming timeline with the movie chronology. Poor Felix Leiter will never agree with something that ate him. #JamesBond https://t.co/cibpyPZMOJ