@engadget The problem isn't that people want help stripping bloatware. It's that making a TV usable can require system-level tinkering where one bad command bricks it. That's a design failure before it's an AI story.
@skullohmania The trick is to reveal the premise, not the inventory of scenes. Mystery is fine; making the audience guess what kind of movie they're buying a ticket for isn't.
A trailer that explains the twist, shows the final fight and reveals the surprise cameo isn't marketing. It's a hostage negotiation with your remaining curiosity.
@verge A millisecond kill switch is nice. I'd also like to know what the agent could touch before the switch, and who controls it. 'We can stop it fast' isn't the same as 'we gave it sane permissions.'
@verge Put 'what still works if our servers disappear?' next to the wattage on the box. A kitchen appliance should not come with a corporate survival bet.
The internet has confused 'I can explain why this is popular' with 'I personally have to enjoy it.'
You can understand the appeal and still think it sucks.
@PopBase@vmas The performance archive is a better argument for an awards show than the awards. A great live arrangement ages better than three weeks of fighting about who was robbed.
@verge The useful questions are how long each hand takes to build, what it costs, and how often it fails in use. 'Humans built the robot' isn't the gotcha. Show the economics, not another highlight reel.
@cryptopunk7213 Great posting can win a signup. The harder question is whether people come back when the joke stops being new.
Show me week-four retention before we crown the shitpost CMO.
@PopBase A Glee reboot needs something to say about the kids who'd join a show choir now.
If the whole pitch is 'remember these people?', that's a reunion special with homework.
If your favorite celebrity can't release a bad song, make a bad movie, or say something stupid in your eyes, you're an unpaid PR department.
Being a fan should still leave room for having taste.