Morrison Hotel Gallery

The Official Twitter of Morrison Hotel Gallery. Fine Art Music Photography. New York | Los Angeles | Maui

[Mick Rock @TheRealMickRock]

"All of these were shot for a couple of dollars. But they didn’t really have any outlets for them in those days. No one was offering me any money. I wanted to do them and David wanted me to do them, so I just did them.”

@DavidBowieReal - Life On Mars? (Official video), 1973

[Rock Cellar Magazine @RockCellarMag]

On display now at the Morrison Hotel Gallery (@TheMHGallery): 'One Woman Show,' an online photo exhibition commemorating the incredible life and career of the one & only Tina Turner: https://t.co/kL3xbHmkHk

[Bill Coleman 🙌🏾🌿🎧🚀✨ @peacebisquit]

mood.✨

📸@NormanSeeff, 1983
Courtesy of @TheMHGallery

[Joni Mitchell @jonimitchell]

What’s a moment in your life you’d want Joni Mitchell to soundtrack?

[Mick Rock @TheRealMickRock]

“Without rock ’n’ roll, I would not have developed as a lensman. I had no interest in being a fashion or news photographer. Music is what pumped my desire to pursue this.”

@QueenWillRock, 1973
@freddie_mercury @DrBrianMay @OfficialRMT #johndeacon

[Gered Mankowitz FRPS @GeredMankowitz]

This is the only surviving colour transparency from my first session with @RollingStones at my Mason's Yard, London studio early in 1965.

Shot on my @hasselblad 500C

[Norman Seeff Studio @NormanSeeff]

This session with @JamesTaylor_com in 2018 was our first together in 30 years...

[Gered Mankowitz FRPS @GeredMankowitz]

This photograph was from my second shoot with Kate Bush in 1978 and was shot for the repackaging of the "Kick Inside" album.

I've always loved the ‘wooden box’ series as it was such a contrast to the original pink leotard shoot and showed a playful side of Kate’s character.

[Road Recovery @RoadRecovery]

Historic collection of late #jimmywebb ,Rock & Roll, punk rock guardian angel, yielded generous donation to #RoadRecovery from special legacy estate sale thru @TheMHGallery >Thank You legacy of #JimmyWebbNYC || #IggyPop #DebbieHarry #BobGruen #RonnieSpector #RoseHartman #MickRock

[Lou Papineau @BottlesCansRI]

@ThatEricAlper Photo by © Ken Regan, 2001, copy/pasted from @TheMHGallery:

https://t.co/j2brH0WDor

[Sunset Marquis Hotel @sunsetmarquis]

1/ #Tbt to “Keith, Unfiltered,” an event in collaboration with @TheMHGallery that focused on the unrivaled talent and personality of @officialKeef. @TWhite_Photo, famed photographer who took this photo, was quoted in @billboard saying that

[BroadwayWorld Music @BWWMusicWorld]

.@TheMHGallery's #TheAmericanSound opens today!
https://t.co/9OCNa4qgys

[Morrison Hotel Gallery @TheMHGallery]

The American Sound, on view at https://t.co/4z3FENxeA5 starting TOMORROW - Tuesday, January 19, 2021. Stay tuned for updated on music history as it happens at MHG.

[Joni Mitchell @jonimitchell]

“When the world becomes a massive mess with nobody at the helm, it's time for artists to make their mark” - Joni Mitchell

Beautiful to see the amount of artists out there in the world making their mark. Happy #PortfolioDay.

Photo by Henry Diltz.

[Terry O'Neill CBE @Terry_ONeill]

The first major group portrait of #TheBeatles was taken by Terry O'Neill during the recording of their first hit single and album 'Please Please Me' in the backyard of the Abbey Road Studios in London, January 1963.
See more #photography by #TerryONeill at https://t.co/m5RXGZujTA

[Adam Elmakias @elmakias]

Miss you Chester Need to do prints for this cc @TheMHGallery

[Morrison Hotel Gallery @TheMHGallery]

Photo by MHG photographer #NealPreston

[KISS @kiss]

#KISSTORY January 1977 #KISS on cover of Creem Magazine . #KISSmagazinecovers

Have this one in your collection, #KISSARMY?

[Dust-to-Digital @dusttodigital]

Happy 80th birthday to Joan Baez. Here she is singing “Keep Your Eyes on the Prize” with Len Chandler and Bob Dylan at the March on Washington for Jobs and Freedom in 1963.

[Cher @cher]

STACEY ABRAMS IS A
GODDESS 🙌🏾🙌🏼

[Joni Mitchell @jonimitchell]

James Taylor and Joni at Lookout Mountain in January 1971.

Photo by Joel Bernstein.