Accepting pitches at the intersection of art, policy, and politics for Boston Art Review. Mostly Boston and New England focused but not necessarily exclusively.
Kim (at) bostonartreview .com
"If culture is like an operating system, then to hack it is to exploit the design of that system to gain unauthorized control and manipulate it towards a specific end"
Kim Córdova (@ThisIsKimCo) co-authors a new essay about the culture of hacking @e_flux
https://t.co/oybasm8yf6
"it leaves the task of a radical intellectual response to the theme of 'Foreigners Everywhere' to the pavilions, collateral shows, and pro-Palestine protests that surround it"
Kim Córdova (@ThisIsKimCo) reviews “Foreigners Everywhere” @efluxcriticism
https://t.co/T6ivqFmqWj
In contrast to ruangrupa’s Documenta 15 and notable previous editions of the Biennale, writes Kim Córdova in her roundup from Venice, "Foreigners Everywhere" leaves the task of reimagining art's structural framing to the national pavilions.
https://t.co/Q6YxQkQ7pR
@Aeromexico Been trying to buy a flight for four days and your website cannot complete payment. Your customer support phone system is also a disaster, almost impossible to find a live person and rates are at least $100 higher on the phone. What kind of business ops is this?
“Carnelian,” the latest show from the multimedia artist Lex Brown, rides the emotional roller coaster of life under constant threat of demise, with catchy songs. https://t.co/4UZPyntPV1
If you hire a critic to write a piece of criticism, and the criticism is good and fair, and the subject doesn't like it, you do not soften the copy. You do not pull the piece, either. You promote the hell out of it and ask the critic what he'd like to write next.
Rising corporate profits were the largest contributor to Europe’s inflation over the past two years as companies increased prices by more than the spiking costs of imported energy. https://t.co/iEf6Emu0Rp
New review for @efluxcriticism on human-computer collaborations covering exhibitions “Coded: Art Enters the Digital Age 1952-1982” at @LACMA and “Difference Machines: Technology and Identity in Contemporary Art” at the UC Irvine @UCIBeallCenter https://t.co/xw3RBgiUYH
A post of public gratitude for the luxury that is local independent journalism. Thank you #BethanyOh and @SBIndyNews for covering ‘To See Is To Forget The Name of the Thing You See’ at @UCSB_CCS https://t.co/YVYFiiV0wN