No sé cómo aguanta Harry Da Souza en esa familia de locos, su fidelidad en algún momento se tiene que quebrar y más cuando ponen en peligro a tu hija. Como decía Seraphina, "Harry nunca enseña sus cartas", siempre escucha, parece comprensible, pero nunca sabes lo que piensa.
Martin Scorsese says the first shot he came up with for Taxi Driver was tracking the camera away during Travis’s painful phone call so the audience wouldn’t have to witness it
"I felt that when he made that phone call, it was so painful where you shouldn’t witness it. So the camera should track away, but not pan away. It should move completely to a hallway"
"And in the hallway you think somebody’s coming, but nobody’s gonna come. Nothing’s gonna happen, we’re all alone. But we don’t wanna experience the depth of his pain at that point"
"That was the first shot I came up with, I said, ‘That’s the style.’"
"Every shot, as much as possible, was designed to be slightly disconcerting, but ultimately, ultimately satisfying. That was the philosophy of the shooting"
Aquí no actúa por venganza el traficante de licores Gator McKusky, sino contra su colega Jerry Reed (Los caraduras), Burt Reynolds está listo y nació listo para impartir justicia sureña, final maravilloso que coge Baby Driver.
Quentin Tarantino tells #AFIFest about how the late Burt Reynolds gave his final performance at the “Once Upon a Time in Hollywood” table read.
“The casting that to me is most meaningful ended up not being in the movie.”
No me importa de donde venga el Jason de Crystal Lake, querer explicar de dónde viene la pesadilla, su grandeza alucinante me la suda, es quitarle toda la magia, otro bodrio innecesario más, con aires de estúpida grandeza.
A pair of chilling ghost stories! THE OTHERS (2001) & THE ORPHANAGE (2007) screen in 35mm next week, Tuesday & Wednesday October 27th & 28th. Tickets: https://t.co/Ac8VsKnA1P
@ElPare89 Es un poco Beaton Flanagan, pero dentro de su mundo de barniz años 50, su Carrie virgen María puede encajar, aunque actores en su cine no me suelen encajar en sus paoeles o bien son malos, aunque algún acierto tiene, está bien.
Carrie is also another example of Hollywood refusing to let a female character be faulty. The novel story of Carrie was about bullying and yes you felt sorry for her but in the end she chose to murder everyone in her path. She just didn’t kill the bullies but even the gym teacher who was on her side. Carrie gave into the evil impulse and used her power to devastate an entire town. That was the horror of the plot. Carrie became the monster her psychopath mom kept telling her she was.
This was not a story about girl power or finding your inner warrior. It is a tragedy.
'La noche de los Gigantes' es posible que planto una semilla en Craven, Hooper, Carpenter, del cine 70s que estaba por venir, con esa fuerza imparable sobrehumana que les persigue como venganza a esos rastreadores de Indios para el sanguinario ejército. Con Eva Marie Saint.
Igual que en los posters, la misma pátina en la fotografía y cinematografía de las series como en Carrie, de Flanagan.Un clon en lo formal unas de otras, ya la IA parece instaurada, sin ningún diseño creativo ni artístico, nada memorable, menudos vagos.