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Joined March 2026
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She was 17 when she wrote Drivers License.
She didn’t know it would become the soundtrack to a million strangers’ grief. She just knew she was hurting and she had a melody.
The cruel irony of Olivia Rodrigo’s career is this. The more honestly she wrote about her private pain, the more publicly it was consumed. Every journal entry became a headline. Every heartbreak became a hot take.
And somehow, she kept going.
Her music has always sat in that uncomfortable middle. Where you can be loved and still feel hollow. Right where you’re supposed to be, and still not quite okay.
Drivers License was heartbreak. Deja Vu was confusion. Good 4 U was anger trying to make sense of itself. Vampire had the wound still visible if you looked closely enough.
Guts was written in the wreckage of what fame had already cost her. Angrier. Sharper. Less willing to be palatable.
She was a teenager then. She is 22 now.
Now comes the third chapter. “you seem pretty sad for a girl so in love.”
She didn’t announce it through a press release. She painted those words on a wall in Los Angeles. Just a sentence, in pink, on concrete, left for the world to find.
That is not a fanbase decoding it. That is a community that has grown up alongside her.
She named the tour Unraveled. Not Healed. Not Reborn. The word that refuses the tidy ending the industry always wants.
The fans filling those dates aren’t coming for a show. They are coming because she said something they had never heard out loud before.
That is not a fanbase. That is a reckoning.
She built it by doing the one thing the industry never rewards until it’s too late to deny.
She just kept telling the truth.
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i am so so excited to announce The Unraveled Tour!!! I am counting down the days till I get to sing all of the songs from 'you seem pretty sad for a girl so in love’ with u guys!!! 🩷🩷🩷
Presale begins Tuesday, May 5th, and general onsale starts Thursday, May 7th @ 12PM local. Visit https://t.co/62K9Xm3exY for ticket info.
Still have Olivia Dean tickets available for tonight, message us if you’re interested
#OliviaDean #TheO2 #London
Hi All,
Have Olivia Dean tickets available for tomorrow please message us if you’re after any
Floor currently available others can be sourced in
#oliviadean #O2 #London
For years, this fight existed only in conversation. A headline that kept getting written and rewritten, circled and postponed, then quietly buried under circumstances nobody saw coming.
Now it’s signed. Sealed. Real.
The story should have been simpler. Two British heavyweights on a collision course, both undefeated, both holding world titles, both at a peak that doesn’t last forever. The fight should have happened in 2018. Instead, the sport kept moving around them.
Usyk arrived and dismantled both their timelines. He took Joshua’s titles twice. He took Fury the distance twice. By the time he was done, the landscape had shifted entirely.
But sport has a way of circling back.
Fury returned in April, made short work of Makhmudov and immediately called out Joshua by name. This time, Joshua answered. Eddie Hearn confirmed it plainly. “Signed, sealed, delivered. AJ v Fury is on.”
Joshua returns first on July 25 in Riyadh. A tune-up fight. A chance to shake off the rust. Then Fury awaits in the final quarter of the year.
But there is context here that goes beyond boxing.
Ten days after stopping Jake Paul in Miami, Joshua was involved in a car crash in Nigeria. His strength and conditioning coach Sina Ghami and trainer Latif Ayodele did not survive. Hours before the accident, Joshua and Ayodele had been filming themselves playing table tennis together.
The man who steps into the ring against Fury in November will have carried something through these months that no training camp can prepare you for. Something that changes why you fight in the first place.
That weight doesn’t disappear. But sometimes it sharpens things.
Since then, Joshua has been training alongside Usyk, the man who beat him twice. Not dwelling. Rebuilding. Using every available edge.
And then there is Fury. Five retirements, each followed by a return. A man who dragged himself off the canvas against Wilder in one of the greatest heavyweight rounds ever seen. Whose battles with mental health and addiction have been as defining as anything inside the ring. At 37, he is not here because he needs to be. He is here because this is the fight that always got away.
Eddie Hearn called it the fight of all time. That is not promotional noise. That is the honest weight of what this is.
Fury’s unpredictability against Joshua’s power. Experience against redemption. A man who has seen everything against a man who has survived more than most people know.
Some fights arrive at the perfect moment. This one arrives earned. Scarred. Carrying a gravity the 2018 version never could have had.
That is what makes it matter more now, not less.
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✅ DONE DEAL ✅
🥊 Tyson Fury vs Anthony Joshua
📆 Q4, 2026
📺 Netflix
Two decades of comparison. One stage. Finally.
Usher and Chris Brown were never supposed to do this together.
Not like this. Not at this scale. Not standing beside each other as equals, sharing a stage they’ve spent twenty years being pitted against one another for.
The conversation has always had a particular shape. Usher as the foundation, the man who showed a generation what R&B performance could actually be. The vocals that didn’t need tricks. The choreography that felt like a second language. The rare ability to cross into pop without ever losing the soul of where he came from.
Then Chris Brown arrived. And he didn’t just follow the blueprint, he picked it up, pulled it in ten different directions and kept building long after most expected him to slow down. More output. More range. A catalogue so deep that people are still discovering corners of it.
And somewhere in that distance between them, the comparison became a permanent fixture. A debate that never really got resolved, just recycled. Who had the better run, who owned their era, who carried the genre further when it needed carrying?
That unfinished argument is exactly what makes Raymond & Brown something worth paying attention to. Because this isn’t just a tour name. It’s a statement. Two legacies that spent years being used as measuring sticks for each other, now choosing to occupy the same space, not for a one-off, not for a single festival set, but across an entire stadium run. Thirty-plus dates. Multiple nights in the same cities. Built for people who grew up with both of them and never quite got an answer to the question everyone kept asking.
The timing adds something too. Usher just reminded the world if they’d somehow forgotten exactly who he is when a stage is underneath him. Chris Brown has spent years doing the quiet work, refining, releasing, building a consistency that doesn’t always get its flowers in real time but shows up undeniably in the numbers and the rooms he still fills. Neither of them is here for a comeback. This isn’t nostalgia dressed up as relevance. This is two people at the height of their craft deciding that the most interesting move left isn’t competition. It’s collision.
That’s why the reaction has been what it’s been. The excitement, the debates reigniting in comment sections, people already trying to picture what the setlist even looks like, who closes the show, how you split a stage when both halves of it carry that much weight. There’s no real blueprint for this. R&B tours don’t usually arrive with this kind of history attached. Most tours bring back memories. This one forces a conversation that’s been running for twenty years to finally play out. Live, in real time, in front of the people who were there for all of it. That’s not just a show. That’s a moment.
We are Ticket Link. Connecting people to the moments that matter, before they’re gone. Your link to sold out events. Repost and follow for more.
THE R&B TOUR. Sign up for the presale at https://t.co/YktdGviMHM
Hi All,
Hope you’re enjoying the weather
We have a few Tyson v Makhmudov tickets left please DM us if you’re interested
#tysonfury #fury #makhmudov #London #O2
Gunna is not just touring right now.
He is rebuilding in public.
The Wun World Tour looks like a normal run on the surface.
Dates. Venues. Performances.
But this version of Gunna is not the same one people were watching a few years ago.
Before everything stopped, his rise was built on sound and aesthetic.
Drip Season. Wunna. Melodies, fashion, momentum.
A style that made him one of the most recognisable voices out of Atlanta at the time.
Then came the pause.
And when he came back, the conversation around him had changed.
So did he.
The music was still there.
But the focus shifted.
Discipline. Routine. Control over image.
A version of himself that looked more intentional than before.
That is where Wunna Run comes in.
Because this is not a random add-on to a tour.
It is a reflection of that shift.
It started in New York.
Prospect Park. A simple 5K. No barriers to entry. Just movement.
Now it moves with him.
City to city.
Johannesburg. London.
Morning runs before night shows.
That is not how tours usually work.
Most artists build anticipation for the performance.
He is building connection before it even begins.
And that changes the audience.
Fans are not just turning up to watch anymore.
They are showing up earlier. Taking part. Becoming part of the same routine he is pushing.
That kind of shift does not just reshape an image.
It reshapes who stays with you.
Because now it is not just about the music.
It is about what sits around it.
London is the only European stop where that plays out.
One run. One show. One moment where both sides of that transition meet in the same city.
Before, it was about presence.
Now, it feels like purpose.
Some artists come back and try to pick up where they left off.
Others return differently.
This looks like the second.
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Gunna is bringing the Wunna Run 5K to London on March 25.
The run happens the morning of his show and it’s the only Wunna Run in Europe on this tour.
Manchester City are not walking into Wembley chasing validation. They are walking in to remind everyone what happens when they get there.
This is a team that does not treat finals as moments. They treat them as outcomes.
Four League Cup finals under Guardiola.
Four wins.
That is not form.
That is pattern.
And patterns matter at this stage.
Because while the narrative around City often focuses on control, possession, systems, the truth is simpler than that when it comes to days like this.
They know how to finish. That is what separates them.
Arsenal arrive with momentum, belief, a season that feels like it has been building towards this.
City arrive with something else.
Experience of this exact moment.
Understanding of what shifts a final.
And the calm that comes from having done it before, repeatedly.
And then there is Guardiola.
A manager who has spent years refining control to the smallest detail.
Not just how his team plays, but how they manage moments. Tempo. Space. Pressure.
Finals rarely give you everything you want.
They test what you fall back on when things break.
City do not break often.
And when they do, they recover quickly.
Because they have seen it all before.
That is the difference.
One team is stepping into what could be a defining moment.
The other has made a habit of defining them.
Wembley does not reward potential.
It recognises certainty.
And City arrive with it.
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It's League Cup final day! 🏆🩵
Let's do this, City 😤
Arsenal are not walking into Wembley chasing a moment, they are walking in trying to confirm one.
For the last two seasons, the conversation around this team has followed them everywhere.
Talented, but not quite there.
Close, but not enough.
Good enough to compete, but not yet built to win when it matters most.
That narrative has been repeated so often it started to feel like fact.
But this season has looked different.
Top of the table.
Control in games that used to slip away.
A side that no longer looks like it is reacting, but dictating.
And now the timing matters.
Odegaard is back.
Saka is sharper than ever.
The spine of the team is no longer learning on the job, it is operating with intention.
That is what changes finals.
Because Wembley is not about potential.
It is about clarity.
The last time Arsenal lifted a major trophy was August 2020. An FA Cup final, behind closed doors. No fans. No noise. No release.
Pierre-Emerick Aubameyang, a cast off not long after, scored twice that day against Chelsea.
Arsenal did not dominate. They endured.
They sat deep, absorbed pressure and waited for moments to strike.
It was a different team.
A younger Arteta. A side still being shaped.
A win built more on resilience than control.
That was survival.
This is something else.
Because now the expectation is not to stay in the game, it is to take it over.
Then, Arsenal arrived at Wembley as underdogs.
Now, they arrive as a side that has spent the season setting the pace. Then, the moment felt like a breakthrough. Now, it feels like a confirmation.
Six years on, the distance between those two teams is not just time.
It is identity.
And that is what will be tested.
Not whether Arsenal can rise to the occasion.
But whether they have already become the team they have been building towards.
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Final yards 🏃💨
📍 Sobha Realty Training Centre
Roc Nation did not just announce two shows at Yankee Stadium. They announced a timeline.
July 10th and 11th are not random dates. They sit exactly thirty years after Reasonable Doubt and twenty five after The Blueprint. Two albums that did not just define Jay-Z’s career, but reshaped the sound and direction of hip-hop in completely different ways.
Reasonable Doubt was the beginning. Cold, calculated, built on pressure and paranoia. There is no celebration in it. Just the reality of a life where every move has consequences. It wasn’t even fully appreciated when it dropped. That came later. Over time, it became something else entirely.
The Blueprint was the shift. Warmer, sharper, more certain. Kanye West’s soul samples, Just Blaze’s production, a sound that didn’t just dominate its moment but redirected where hip-hop would go next. It arrived on September 11th, 2001, and still managed to cut through everything.
That contrast is the story.
One album questions everything, the other sounds like it has already figured it out. And now both are being put on stage. Back to back. In New York. That is why this feels bigger than a concert, it is not just about performing songs. It is about stepping into two moments that shaped everything that came after.
And the setting matters.
Yankee Stadium is not a casual choice. It is scale. It is legacy. It is where moments are meant to feel permanent. Jay-Z has spent years away from stages, building quietly, moving differently. So when he comes back like this, it is rarely just for nostalgia.
It is usually for something intentional.
Some nights are concerts. Some nights are moments people realise they should have been at after they are already gone. We are Ticket Link.
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JAŸ-Z 30 on Friday, July 10
JAŸ-Z 25 on Saturday, July 11
Yankee Stadium
#CitiPresale on Monday, March 23 at 10am ET
General On-Sale on Tuesday, March 24 at 10am ET
🔴 𝗠𝗔𝗧𝗖𝗛𝘿𝘼𝙔 ⚪️
🆚 Bayer Leverkusen
🕗 8pm (UK)
🏆 Champions League
🏟️ Arsenal Stadium
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