So I have a (mostly) useless degree in film theory and my personal concentration was National cinema. Meaning the study of how a racial/ethnic group represents themselves, their history, present and future through the artistic medium of film.
You will find that every single race of people on earth represent reality differently through film. The essence of that difference is found in the people themselves and what makes them, them.
The racial spirit of a people is illustrated through their use of film making and visual storytelling in such a manner that a Bollywood film and a Korean film are so different in the manner of their storytelling, character development, camera techniques etc they might as well be from different planets.
My favourite example of this is how Irish cinema is known for its dark, often crude, tragic comedy which mirrors the spirit of the Irish and their history perfectly. French cinema also intertwines deep philosophical ideas with ordinary everyday life and often uses rebellious and bold storytelling/camera techniques. Very in alignment with the French spirit.
These distinct artistic differences give visual representation to the distinct differences between the racial spirit of people. What’s even more important though is that the artistic medium of film is in effect a form of collective dreaming.
One steps into the theatre, sits back in a comfy seat, the lights dim, the screen illuminates and we experience the film itself in a similar fashion as we would a dream. The cinema provided the enthralling and thrilling experience of a new reality where anything could be possible. Where we could be reminded of who we are and we could imagine who we might be but for the first time as a shared experience.
And what are dreams if not the deep internal world which inspires the creation and building of the external material world.
Most people think of movies as just entertainment but in reality it is so much more than that. It is programming, guided dreaming and identity creating on the societal scale.
What a people dream and feel about themselves internally they become in a sense. This is why these race swapped roles in historical dramas are not merely superficial and are in effect evil.
It takes a historical figure, their contribution to the spirit of their race and thus a national identity and transgresses upon it by corrupting the image as belonging to anyone, everyone and therefore no one.
It is stolen valour. It is the highest form of cultural erasure in art, it is history rewriting in pursuit of identity destruction. Not surprisingly it is something we exclusively see in roles which rightfully belong to whites.
It is the explicit propaganda arm of white replacement. It aims to make us forget who we are, induce a form of collective amnesia about our history and ultimately erase from all future memory the truth of our ancestors heroics and bravery.
@simpatico771@SamTorabi72 5 percent of Iranian missiles were destroyed when palavist saboteurs ignited their fuel storage while they were on their TELs and pointed at occupied Palestine.
It's hard to beat the value of a 3-D printed 22 LR suppressor.
They are so easy to make.
Literally, get form 1 for $0, load model, hit print.
Only two dollars in filament and a couple of bucks for a thread adapter and you've got a 22 suppressor that will last thousands of plinking rounds.
Sure, you got put into it the cost of a 3-D printer but the reward is suppressors for dollars per can.
My buddy has 6 kids, now each kids has their own 22lr with a 3d printed form 1 can.
He couldn't afford that before $0 form 1 stamps.
Here's the rough math.... how do you not jump on this change in how you can enjoy your hobby?
6 x $200 x $ cost of commercial can
so
6 x $200 x $199 = ~$2400
3d printed 22ls cans
6 x $0 x $ cost of filament
so
6 x $0 x $2 = ~$12
I don't know..... man...
.....I just don't know....
I just don't get how everyone that actually has a printer and is into suppressors just isn't 3-D printing form 1 cans right now....
Weird....
This will significantly raise the price of rotisserie chickens and may even limit their availability.
Hot rotisserie chickens are only good under the heat lamps for about four hours. In current state, as unsold chickens approach their 4th hour, most retailers will pull the chicken from the hot rack and move it to the freezer to rapidly drop the temperature. Once dropped, they then repackage it as a chilled chicken product for resale (has been SNAP eligible) at a reduced price.
By having this outlet for overproduction, retailers have been able to lower their throw-aways and protect their margin.
Moving forward, retailers will have to raise their prices to offset the decreased demand for chilled chicken or lower their risk of overproduction. Either way, we will soon see increases in prices for rotisserie chickens.
“The SPLC boasted an annual revenue of over $129 million in 2024, the most recent year reported, plus assets of $822 million including that offshore account.” — Imagine that kind of money vs. pro-White groups who are lucky to raise $50K to defend against a lawsuit. The perception that groups like the SPLC are fighting on behalf of defenseless minorities couldn’t be further from the truth: this is naked Jewish oligarchy crushing working class movements with money power and the state, the Iron Heel warned of by the great Jack London.
Coastal cities are replacing concrete seawalls with oyster reefs. The oysters are better at the job.
Seawalls begin to degrade the minute they're installed. Waves chew them up, storms crack them, and they have to be repaired, replaced, and rebuilt forever.
An oyster reef doesn't break down, it actually grows. The oysters stack, reproduce, and fuse into living rock that gets stronger every year.
A mature reef can cut incoming wave height by up to 83%. It traps sediment, rebuilds the shoreline behind it, and shelters fish, crabs, and shrimp in the process.
A hectare of oyster reef provides up to $85,000 a year in shoreline protection. Concrete costs over a million dollars a hectare to build and only gets weaker.
Oysters were the answer the whole time.
The idea of blockading the strait was proposed by the Jew Richard Haass, former head of the Council on Foreign Relations using terms identical to those used by Trump in his tweet. Jews completely control Trump.
https://t.co/EsWo45s48P
El hebreo moderno no es el hebreo bíblico, es una lengua reconstruida artificialmente por Eliezer Ben-Yehuda a finales del siglo XIX, con gramática simplificada, fonología alterada y miles de neologismos que no existían en el hebreo antiguo, básicamente n hablante de hebreo moderno no entendería un texto del Primer Templo sin formación filológica específica y los judíos que acabaron en Israel hablaban un montón de lenguas distkntas. El shekel como moneda acuñada no existía en el reino de David. Durante la mayor parte de la historia del antiguo Israel funcionó como unidad de peso. Las primras monedas acuñadas judías son del periodo hasmoneo, siglo II a.C., más de ochocientos años después de David. Que la moneda moderna use el mismo nombre es una decisión de construcción nacional y no una continuidad como se plantea aquí.