Galera, olha isso. Minha crítica de um dos meus filmes favoritos no R7. Pfr, apoiem a crítica nacional. Ao terminar o texto, quase me emocionei com escrever sobre um filme tão importante para um site tão importante. Ent, vejam lá e me digam se curtiram!!!
https://t.co/pYP2LZ4lIg
Como crítico e f�� da franquia de games, afirmo: Caguei pra o material base, fds, se quiserem pegar o meu filme fav e mexerem nele, td bem, arte tá aí pra brincar. Respeito e reciprocidade é só pra pessoas, a imaginação é livre e livre de puritanismo com videogame pqp
Oficial:
As teorias envolvendo illuminatti e essas porras que haviam sido posicionadas sobre esse filme (bom pra KRL) eram só mentiras, de maneira óbvia
EYES WIDE SHUT: THE MISSING 20 MINUTES
You know, this is as good a time as any to finally address the missing 20 minutes from Eyes Wide Shut. It’s a story that has been circulating for many years, so let me tell you what I actually know and don’t know.
For context, my father always had his outtakes incinerated once a film was finished, specifically to prevent the studio from later re-editing his work or creating alternative versions.
There has been a lot of speculation that some 20 minutes were removed from Eyes Wide Shut after he died. This will be very disappointing to many people, but I certainly did not hear anything about a missing 20 minutes at the time, nor have I heard anything since that would confirm such a section ever existed. I guess you could stop reading right here. But if you’re interested in the details, please read on.
Of course, I was not in a position to know everything that may have happened before or immediately after my father’s death. At the time, I was living in Los Angeles, writing the score for a different movie. I flew to England, utterly traumatized, to be there for the preparations for my father’s funeral and burial. But I had to return to LA the day after his burial—stricken with grief and exhaustion—to complete the score I was contractually obligated to finish, which I barely managed. So I wasn’t there, in more ways than one, for whatever discussions may have followed.
The only alteration I heard about at the time was the use of CGI—computer-generated figures—to obscure some of the nudity in the orgy scene, which Warner Brothers wanted in order to secure an R rating for the film. But I did not hear that any shots or scenes were removed.
When my father died, Eyes Wide Shut had reached picture lock and was moving through the final stages of post-production. It had just been shown to the studio heads, I assume with a temporary music track, while the final sound mix and some of the music work were still to be completed.
This was 1999, in the era of physical film distribution. The film was edited on Avid, but that should not be confused with the kind of permanent digital archive people imagine today. The Avid material consisted of standard-definition video transfers made from the rushes—720 × 576 pixels—and used for editing. They were working copies, not a high-resolution digital preservation of the original negative. There wasn’t a high-resolution digital version of every take sitting on a server somewhere, as people might reasonably imagine today.
There were, of course, all the 35mm rush prints, as well as the original camera negative containing the outtakes. Eventually, long after the film was finished and released, the 35mm rush prints and the original negative of outtakes were incinerated. The original master negative of the finished film and the intermediate film elements made from it were, of course, kept in storage.
Once the picture was locked, the original camera negative would have been physically cut to match the final Avid edit. Once the negative itself had been cut, you couldn’t simply undo those cuts and rearrange the film: each cut destroyed a frame at both the head and tail of the shot. The master negative of the finished film was then used to make interpositives, from which internegatives were made, and those internegatives would have been used to make the 35mm theatrical release prints. The original negative of the outtakes never went through that process because, of course, those shots were not part of the finished film.
Someone might say, “But then, if the missing 20-minute edit exists, it would be preserved on the Avid!” But editing the film on Avid does not mean all of that material was preserved indefinitely. This was not an era in which every piece of editorial media was automatically retained on servers for decades, and I have no knowledge of whether any of the Avid editorial material from the production still exists. That’s a question for the …
CONT. Thread👇
Marvel tira do cu um grande evento com mil forçações de barra pra personagens de contextos totalmente diferentes se encontrarem em um mega crossover do nada, com uma ameaça que não teve qualquer desenvolvimento prévio e assim constrói a adaptação mais fiel de HQ de herói já feita
@LuccaLeall A sequência final, pra mim, foi onde desandou kkkkkk, n sei filmar tanto ação, o que faço? Tudo escuro, câmera tremida, música épica, tapou buraco 🫡
@Andrezinho50466 @CentraIDoLeao@oguiizao Sugiro vc assistir e comentar suas opiniões, promover debates sobre o filme, entender o ponto de quem não gostou antes de abaixar a cabeça e o senso crítico para outra pessoa em tom de subserviência (Nolan). Detalhe, dei 9 para Oppenheimer, gosto mt de alguns filmes dele
@Andrezinho50466 @CentraIDoLeao@oguiizao ? Caso vc n saiba, talvez precise ser um pouco mais sagaz no pensamento, 6 é uma nota acima da média, eu gostei do filme, achei acima da média, tem seus pontos bons e ruins, agr, perdoe o palavreado, mas vc parece um submisso a outro homem por falar de algo que nem assistiu+
@CentraIDoLeao@oguiizao KKKKKKKKKKKKKKKKKKKKKKKKKKKKKK nd mn, só tô fazendo facul de jor e comecei uma página de cine, se quiser começar, comece que vale mt a penaaa!! Obs: eu sou aquele que logou 3 estrelas no print