This month #AtTheGallery is defined by the purity, history, and allure of paint. The focus is to such a great extent that we are hosting our next Ingram Art Talks on Saturday, June 6 at 2pm. Timely, provocative, and all about art and paint, Resisting the machine: Why painting is exactly what we need right now will be led by author George Daicopoulos @GeorgeDaico and #artist Emmette Lewis.
➡️ https://t.co/AKBnWZdnmp
This month #AtTheGallery is defined by the purity, history, and allure of paint.
📣Ingram Art News: Why painting is exactly what we need right now https://t.co/Q9ZRk6w0IE
RYAN PRICE // Guelph, Ontario
The Dining Suite #drypoints
- bigger
- eat out
- puddin'
3 x 3 inches #printmaking visual puns, the art of titles, play on words #AtTheGallery ➡️ https://t.co/uzjl2pGkKx
Interior of the farmhouse of Andrew Wyeth’s neighbours, the Olson family (Woodstove, 1962). One day, from the window of the small studio he maintained there, he saw the disabled Christina Olson crawling through a field, inspiring his classic Christina’s World (1948)
Concept Mechanic ANDREW BELL // Ottawa, Ontario
Voyager 2
photo-transfer and found object
26 x 26 inches
Moterwerks #AtTheGallery https://t.co/qkBcQGZhzC
Velatura
[ve-luh-too r-uh, -tyoo r-uh]
A painting technique that involves applying a semi transparent layer of colour to create a subtle change in tone or hue. It is used to create depth and luminosity in paintings and is commonly used in oil painting. The term can also refer to the thin layer of paint or glaze applied to a painting to alter the tone or colour.
VLAD GROSPIC // Toronto, Ontario
Summer Light (2026)
oil & cold wax on canvas on panel
14 x 14 inches
#AtTheGallery A New Collection of Paintings ➡️ https://t.co/mqDCMHGsFC
*elation*
#AtTheGallery // Canadian art, International design
VLAD GROSPIC, painting
LUKE PESTL, ceramic
Beloved old magnolia tree, sculpture stand
Charles & Ray Eames, chair