Totichoux

« Je sens contre la bêtise de mon époque des flots de haine qui m'étouffent. Il me monte de la merde à la bouche comme dans les hernies étranglées » Flaubert

[Muse @xmuse_]

In Greek myth, Pan is the god who terrifies people — his name literally gives us the word panic.

But in Begas’s 1857 sculpture, he does the opposite. He’s shown comforting Psyche, the symbol of the human soul.

That's why I love it.

Pan Comforting Psyche by Reinhold Begas

[Totichoux @Totichoux]

#RIP

[Dawn of The Discs @dawnofthediscs]

Coming to 4K UHD in 2026 from Disney/20th Century Studios

Strange Days (1995) 4K UHD

During the last days of 1999 in a gritty, futuristic Los Angeles, an ex-cop turned street hustler finds himself thrown into a conspiracy of murder and blackmail.

MORE INFO TBA

#Disney #strangedays #physicalmedia #bluray #cinema #cinema #Horror #Movie #Movies #HorrorCommunity #FilmCommunity #4KBluray #4KUltraHD
#physicalmedia #FilmstaGram #physicalmediaforever #bluraycollector #bluraycollection #Horror #HorrorMovie #HorrorMovies #Film #Cinema #CinemaLovers #FilmTwitter #Cinephile #MovieBuff #NowWatching

[Letterboxd @letterboxd]

Exclusive first look at the trailer for new 4K restoration of Masaki Kobayashi's director's cut of Kwaidan 👀

Opening in New York at Film Forum on September 11 followed by nationwide rollout via @janusfilms

[RadiantFilm @RadiantFilm]

David Cronenberg on the origins of Videodrome (1983):

"It came out of two things, I suppose. The first was remembering, as a kid, watching TV late at night, and of course it was black and white television, and when all the regular stations would go off the air you could get these distant, strange stations that were probably all American. The airwaves would be quiet, so you could pick up — and we had a rotating antennae, you know, so we could rotate the antennae on our house and get this stuff. But they were always very bad images, and they would fade in and out, and where they came from and what they were was very mysterious. That was many years before I was making movies, I was probably fourteen or fifteen or sixteen. Anyway, these strange late-night channels, plus bits of Marshall McLuhan, plus I have no idea what, combined to create the initial premise that someone receives images on his television set that are fascinating to him, and seem to have an element of danger which makes them more fascinating. I don't even think I knew, at the time that I started writing, that I would be examining the influence of television or that I would create a character based on Marshall McLuhan [O'Blivion], none of that was really in my mind to begin with. And I can't really remember how I proposed this to the guys at Film Plan. It was the same thing, you know, the tax money was coming in, they wanted to do another movie, Pierre David and Victor Solnicki. I remember renting a room right across the hall from where Ron Sanders was editing, it was downtown near the waterfront. It was in an old building that had been rented, but it had sand-blasted brick in the Toronto style and beams. And there was nothing in the room but a table, a chair and an IBM Selectric, that was it. It was quite a big room, and I was just in the middle of it and I would go there every day and write. And that's where I wrote Videodrome, I can remember that, but I don't remember any more of the details other than just the normal way that things accumulate around a central concept."

— David Cronenberg: Interviews With Serge Grünberg (Plexus Publishing Limited, 2006), originally David Cronenberg: Entretiens avec Serge Grünberg (Cahiers du Cinéma, 2000)

[Totichoux @Totichoux]

@leloupceleste @factorisfilms Assurément, mais du coup on y perd l’immersivité qu’amène le remix.

C’est un peu ce qui a marqué mon étonnement initial : une piste Atmos ou DTSX semblait plus simple et plus accessible plutôt que de recourir à ce format insolite.

Après ce sera probablement très réussi !

[Totichoux @Totichoux]

Mais en voilà une idée qu’elle est bonne !

(La piste Auro 3D par contre me paraît un peu ambitieuse…)

[Factoris Films @factorisfilms]

DATE DE SORTIE : 28/10/26

MAHARAJA
4K Ultra HD HDR10 + Blu-ray - Pré-commande
https://t.co/2elYMaL8Em

Commentaire audio du film par LOGAN BOUBADY
Entretien avec Anurag Kashyap (27mn)
Poster Exclusif Recto / Verso
4 photos
Trailer

#Indiancinema #Maharaja #bluray #4k #4kultraHD

[Totichoux @Totichoux]

@factorisfilms Loin de moi l’idée de remettre en cause l’ambition qualitative du projet mais, vous en êtes forcément conscients, seul un nombre dérisoire de gens possèdent un ampli capable de décoder ce format exotique…

[CAPTURE MAG @CaptureleMag]

STEROIDS - LE PODCAST sur RRR

Quand Yannick Dahan explique à @smoissakis pourquoi le film de S.S. Rajamouli est un chef d’œuvre, à (re)découvrir en salles en ce moment !

À VOIR ICI : https://t.co/B9yqO3l4XP

[Fabrice Epelboin @epelboin]

Le scénario cauchemar que le Sénat prépare pour les créateurs de contenu ! https://t.co/uVV2Kn2Rzh

[Totichoux @Totichoux]

@SanjurOn1 (à sa sortie c’était ordinairement naze, je soupçonne que si tu tentes de le revoir aujourd’hui, ce soit une merde infâme)

[Totichoux @Totichoux]

@Nico_Gilli MICHAEL B. JORDAN presents MICHAEL B. JORDAN’s "THE MICHAEL B. JORDAN AFFAIR" starring MICHAEL B. JORDAN

Filmed for IMAX so you can see a really huge MICHAEL B. JORDAN

[Totichoux @Totichoux]

Sans trop réfléchir :

Henri-Georges Clouzot
Max Ophuls
Jean-Pierre Melville
Henri Verneuil

[✧˖ @colditioner]

Share your favorite French directors!

I'II Go first:

[Totichoux @Totichoux]

@Louvreuse Apple a choisi le show runner de Jack Ryan alors, niveau folie, je crains que tu ne restes sur ta faim…

[Totichoux @Totichoux]

Je n’en attends rien depuis qu’ils ont lancé le projet mais là, première bande-annonce, je sens venir un véritable carnage…

[Apple TV @AppleTV]

See you on the other side, cowboy.

#Neuromancer — January 22

[Totichoux @Totichoux]

@SanjurOn1 Tu gagnes à être connu !

[Fabrice Epelboin @epelboin]

https://t.co/HT1kJZPCdj

[Totichoux @Totichoux]

L’orchestre de la garde républicaine qui joue une version pour fanfare du score de The Rock de Zimmer – DEUX FOIS DE SUITE – c’etait inattendu…

[Rafik Djoumi @RDjoumi]

Le savions-tu: co-inventeur de deux genres cinématographiques (le giallo et le slasher), l’esthète Mario Bava a également mis en scène 2 FOIS la rencontre d'Ulysse et du Cyclope, dans le film de 1954 avec Kirk Douglas et dans la série italienne de 1968 (assisté de Carlo Rambaldi)

[Totichoux @Totichoux]

@yoanorszulik Je te substituerais spontanément Ipcress Danger Immédiat à Zulu ou même peut-être au Limier mais sinon oui, c’est aussi comme ça que je vois le peloton de tête.

Quoiqu’on pourrait aussi vouloir y faire rentrer La Vallée perdue…