This week on our blog, the "ironic pairing of Billy Joel's track mirrors the premise of the film—domestic bliss transplanted, somehow, into the prehistoric wild": https://t.co/8sSFHqliQP
The Disclosure Day trailer is that much more powerful for having the inserted shots of Steven Spielberg explaining his motivations for making the film. This is a special one: https://t.co/dzG4tfKtds
This week on our blog, this is not your great-great-grandparents’ Victorian era. Curtis takes a deep dive into the sound world of the trailer for Victorian Psycho: https://t.co/wgC3uMAtg6
Sonically the Cape Fear trailer is so powerful - so much latent silence between the notes/dialogue in the first half, then an accelerating pulse and a motif of three claps to build to the finish. On the edge of your seat! https://t.co/04y3LW5Z39
Blasting out of Cannes, a modern creature feature whose trailer is edited to perfection, with industrial music that dials the tension up perfectly. Hope: https://t.co/cBF45v0yzc
Hot off a run a Cannes, here's a trailer for Victorian Psycho, which fuels it's maniacal fire with “Throw Yourself to the Sword” by Die Spitz as its soundtrack: https://t.co/wstxQVZY4H
This is the way: The Mandalorian and Grogu touches down in theatres today. In case you missed it, here's our blog analyzing the music in its trailer: https://t.co/4pfz5yuJat
The Odyssey's new trailer evokes "Hans Zimmer scores for films like The Dark Knight and Gladiator, but we can be sure that in The Odyssey's original score, composer Ludwig Göransson will bring a fresh and exciting musical perspective" https://t.co/RX24MrABQR
#wishwehadbloggedabout the trailer for Deep Water, which is in theatres now. A minute of suspenseful heart pounding music and sound: https://t.co/E37V6hiRsO