I’ve already voted 565 TIMES today ! 😭 But teamwork makes the dream work, so go cast YOUR votes and help me push Taylor to the top! 💪🏾 #BB28
https://t.co/QkD5eTVYbr
Happy Birthday, Taylor Brown!! 🥳💓 You’ve been my favorite houseguest and my winner pick from DAY ONE. Now let’s finish what you started and bring home that W on Thursday! You deserve your flowers today and that mf check on finale night. Enjoy your day, beautiful! #BB28
#BB28 Happy Birthday to OUR WINNER of BB28 Taylor MF Brown!!!👏👏👏👏👏🥳🥳🥳🥳🥳
You are Big You are Strong and You are Smart!!!!
Now let's get that W on Thursday👏
This week:
Drew and Devens:
- mocking Taylor for being in her pod all season
- wondering why she doesn’t hang out with them
- when she does, start to tag team and belittle her entire game mouthing ‘I hate you’ behind her back like children
- Taylor goes back to her safe space pod
- they act confused and innocent like they did nothing.
Felicia Pride’s remarks about the making of the ‘A Different World’ sequel stand as a clear record of what intentional production can look like:
“We had an all-Black directing team that were all female and queer. We had a Black DP, we had a Black production designer, a Black costume designer, a Black head of makeup, a Black head of hair. We had a Black gaffer, we had Black Teamsters, which I've never seen in LA before in my life.
We also created an HBCU council of current students who acted as an advisory board of sorts for the writers room. We replicated that model on set, so we had current students on set who acted as an advisory board to our writer-producers.
I partnered with Netflix on their Next 13 program to have current students work as PAs across departments. 59% of our background were HBCU students and alumni. We were able to film at the AUC, at Spelman, Morehouse, and Clark. So I'm really proud of like those things that we did that were very intentional in the creation of this show.”
These were not incidental hires or last-minute inclusions. They were structural choices: an all-Black writers’ room, an all-female and queer directing team, Black department heads in key creative and technical roles, and a sustained partnership with current HBCU students as advisors, production assistants, and on-screen talent. Filming at the Atlanta University Center further rooted the series in the campuses it sought to represent. Pride and her team treated representation as practice rather than talking point.
They built pipelines while they built the show. In an industry where these outcomes remain rare, her statement is both a celebration of what was achieved and a reminder of what becomes possible when those decisions are made from the start.
The result is a production that does more than depict a different world, it helped construct one.
Why did they leave out her M&M strategy/ how she had the house dynamics clocked week 1? Why did they leave out all the alliances she tried to create that failed?Where is the Angela & Taylor argument where she was vulnerable and explained some of her game and hardships!? #Bb28