Prithvi 🐿

At Films. (He/him)

[akila. @becka1icious]

english teachers recognizing ur potential is the kind of validation that stays w u forever

[leopard print bussy @bigsnugga]

it’s so funny that at the time AJ’s politics are supposed to make him look crazy but he was the only correct one in that house

[M S Krishna Prateek @mskp_29]

be it Criterion Closet or Letterboxd, Bob always feeling heat around the corner and walking out on in 30 seconds flat

[Richard Newby @RichardLNewby3]

Every time a new Spielberg drops folks come crawling out of the woodwork to make outrageous claims that he’s “overrated.” 😂 The truth is, for the vast majority of his filmography, he’s so great that we take for granted how great he truly is.

[DiscussingFilm @DiscussingFilm]

Steven Spielberg's ‘DISCLOSURE DAY’ debuts with 90% on Rotten Tomatoes.

Read our review: https://t.co/yferIhPNE2

[The Film Stage 📽 @TheFilmStage]

Michael Mann's #Manhunter: The Final Cut will open in U.S. theaters beginning July 24 in a brand-new 4K restoration.

[JT @Jtaylor0_3]

The Fabelmans is really such a gift of a movie. You watch that and not only do you get one of the best of this decade but you watch any Spielberg movie after and you love it a little more knowing where it all comes from.

[αdil @ixadilx]

Legend once said.

[david ehrlich @davidehrlich]

Disclosure Day: not quite the best Spielberg movie in 20 years or whatever people were saying, but this fun, goofy, and brilliantly directed chase thriller has a really great time unpacking why Spielberg has always been obsessed with aliens.

my review: https://t.co/YFR7IpHWwL

[Pop Base @PopBase]

‘Disclosure Day’ debuts with a score of 89% on Rotten Tomatoes, based on 57 reviews.

[Kuuhaku ☭ @Kuuhaku3993]

What's important here is that he spent the entire production trying to bait Muslims into assaulting him for acting flamboyantly gay. Only for that to never happen, except with a group of Israelis. It's the only time he broke character during production, to tell them he was acting

[nick usen @nickusen]

“Look I uh I found something. Something in the store. A place. bu but It uh it shouldn’t be there. But it is. Dontcha see? look I…I know how this this sounds, but It’s uh it’s MAssive in there.”

[Daniel Howat @howatdk]

DISCLOSURE DAY is not at all what I expected. Less action thriller and more existential discourse on the unifying power of truth, with the storytelling prowess of Spielberg.

Both opaque and intimate, there are layers I need to unpack in future viewings, but a thrill nonetheless.

[Jacob Knight @JacobQKnight]

DISCLOSURE DAY: Spielberg’s SCANNERS. It fucking rocks. An entire movie where empathy is a super-weapon and information is power. Maybe the most sci-fi of concepts anymore.

[Tomris Laffly @TomiLaffly]

Minority Report, The Fabelmans, Indiana Jones (1 & 3), and The Paper are essential Steven Spielberg revisits before DISCLOSURE DAY.

Sure, revisit E.T. and Close Encounters, too... Never a bad day for those two masterpieces. But the first 4 are more immediately relevant/related.

[yoshimi battles video game addiction @nise_yoshimi]

liked one tweet and now my entire for you page is translated japanese

[Sydney🚀 @CountVolpe]

Lmaooo wow

[Nate Richard @NateKnowsMovies]

#DisclosureDay RIPS. The King, Steven Spielberg, went OFF. An absolutely riveting and dazzling thrill ride. Emily Blunt turns in one of her best performances, John William’s score is exceptional, and Janusz Kamiński’s camerawork is breathtaking.
Has an incredible third act.

[pluto® @plutoxcsm]

getting me to cry to the same story in 3 different mediums is crazy fujimoto

[HIDEO_KOJIMA @HIDEO_KOJIMA_EN]

With Sophia Lillis and Hunter Schafer.