Boris Čučković Berger

Professor at LMU Munich | Art history of the digital + digital art history | Pluto is a planet

[Boris Čučković Berger @usernameboris]

I am happy to accept PhD proposals for dissertations written in English. Subject areas: history of art and technology, contemporary art and the digital economies, as well as digital methods in art history. There are no tuition fees at LMU Munich.#phd #contemporaryart #digitalart

[Stephan Hoppe @St_Hoppe]

Letzte Woche durfte ich vor dem Freundeskreis unseres Instituts einen kleinen Vortrag halten. Es ging um das Corpus der barocken #Deckenmalerei #CbDD als virtuelles Museum im Sinne von #GLAM. Ich habe den Vortrag aufgezeichnet und in einem Blog verlinkt. https://t.co/ZMD7tnJ1U7

[Hubertus Kohle @hkohle]

nächste Woche in unserer Reihe "Digitale Kusntgeschichte": Best of Both Worlds: Wissensgraphen und neuronale Netze als hybride Methode der digitalen Kunstgeschichte. Vortrag Springstein/Stalter, Anmeldung für online unter https://t.co/ndd3Leqzah aber auch on site"

[Hubertus Kohle @hkohle]

#artigo hat einen European Union Prize for Citizen Science bekommen. Glückwunsch vor allem an @_stschneider und Max Kristen https://t.co/oK3SfH5AfC

[Boris Čučković Berger @usernameboris]

impressions from marking essays in Munich: there's more Chanel and Karl Lagerfeld in here...

[SPP "Das digitale Bild" @dasdigitalebild]

Welchen Weg hat das Bild als Medium der Architekturdarstellung im Wandel vom analogen zum digitalen Zeitalter genommen? Dies wird anhand von Abbildungen aus Architekturzeitschriften vom 09.02. bis 23.04.2023 im Kunstmuseum der Universität Marburg (@Uni_MR) gezeigt.

[Harald Klinke @[email protected] @HxxxKxxx]

CALL FOR AI ARTISTS

‘A Kind of Alchemy': The Work of Art in the Age of Artificial Intelligence

DEADLINE FOR SUBMISSIONS:
December 15, 2022
#AI #exhibition @dahjournal

> https://t.co/OYGc5nETQu

@wheresaddie @martamuseum @Lenbachhaus @Tinissima1 @vr_radiance @johannkoenig

[Boris Čučković Berger @usernameboris]

@EmmaMerkling Didn't you study with Jonathan Crary of the Techniques of the Observer fame? :)

[The Courtauld @TheCourtauld]

Hugest congratulations to Courtauld alumna Dr Caroline Campbell (MA, 1995; PhD, 2000), the new Director of the National Gallery of Ireland. The first female Director in the gallery’s 158 year history, she will take up her new position in November. @campbell_c_m @NGIreland

[ZKM | Collection and Archives @zkm_collections]

The news of Herbert W. Franke's passing fills us with great sadness. We miss not only a wonderful artist, author, scientists, and polymath, but also and even more a generous, sensitive and amiable friend.

#herbertwfrankearchives

[Boris Čučković Berger @usernameboris]

Looking forward to this panel conversation on Generative Art #PhilipsExMachina

[Boris Čučković Berger @usernameboris]

@HxxxKxxx Thanks, Harald, for a warm Munich welcome. The pleasure is mine.

[Boris Čučković Berger @usernameboris]

Last week I gave a keynote talk, but forgot to tweet about it.

[Boris Čučković Berger @usernameboris]

Tenure-track Professorship in Southeast European History at the LMU (with an indicative English language job advert): https://t.co/r3fgZAMwuM

[Boris Čučković Berger @usernameboris]

Data visualization in art history - great, but how to tackle issues of representing space and time? LMU's #DigitalArtHistory hosts a guest lecture by Nikola Bojić on February 8th, 6.15 p.m. Register here: https://t.co/gmnAAXaQZl

[Boris Čučković Berger @usernameboris]

@photopraline Maybe we should include warning messages for the boring parts in digital humanities?

[Katharina Kainz @photopraline]

Veitsdom in Prag

[Vera-Simone Schulz 🇺🇦 @VeraSmnSchulz]

81 years ago #onthisday Walter Benjamin ended his life at Portbou. Fleeing from Nazi Germany, he was not allowed to pass the border to Spain and forced to return to occupied France.