WAC2022

#WAC2022

[WAC2022 @WebAudioConf]

We’re happy to announce that we just published a tentative schedule for #WAC2022 on the conference website: https://t.co/n0o2ziKWmd @WebAudioConf @Laboratoire_I3S @inria_sophia @EURCreates #webaudio #musictech

[Aline Menin @aline_menin]

Creating, capturing and displaying immersive 3D scenes. Talk by Adrien Boisseau and George Drettakis from the INRIA Graphdeco team. At the 3rd Journée d'études #XR2C2 polyteh@Univ_CotedAzur @inria_sophia @Laboratoire_I3S

[Aline Menin @aline_menin]

Musical metaverse: opportunities and challenges. Talk by Luca Turchet from @UniTrento at the 3rd Journée d'études #XR2C2 @Univ_CotedAzur @Laboratoire_I3S

[Aline Menin @aline_menin]

Informed virtual environments and adaptive sensorial feedback. Talk by Indira Thouvenin of @utcompiegne at the 3rd Journée d'études #XR2C2. @Univ_CotedAzur @Laboratoire_I3S

[Aline Menin @aline_menin]

ViAjeRo: XR and passengers of the future. Talk by Stephen Brewster from @UofGlasgow at the 3rd Journée d'études #XR2C2. @Univ_CotedAzur @Laboratoire_I3S

[Aline Menin @aline_menin]

Computational models for natural visual perception and interaction in XR. Talk by Fabio Solari from @UniGenova at the 3rd Journée d'études #XR2C2. @Univ_CotedAzur @Laboratoire_I3S

[wiggle @w1991e]

Robot factory in China 🇨🇳

[SkalskiP @ CVPR2026 @skalskip92]

If you want to use YOLO-World in your own project, you can do so through the @roboflow Inference Python package.

github: https://t.co/0h36AZhONc

[SkalskiP @ CVPR2026 @skalskip92]

The YOLO-World YouTube tutorial is out!

please, let us know what you think!

- model architecture
- processing images and video in Colab
- prompt engineering and detection refinement
- pros and cons of the model

watch here: https://t.co/io9ofg6ZCs

↓ more resources

[Yann LeCun @ylecun]

The Diffusion Transformer paper, by my former-FAIR-and-current-NYU colleague @sainingxie and former-Berkeley-student-and-current-OpenAI engineer William Peebles, was rejected from CVR2023 for "lack of novelty", accepted at ICCV2023, and apparently forms the basis for Sora.
https://t.co/zrC0iPnx1l

[Vala Afshar @ValaAfshar]

30 years of web browser market disruption

#CES2024

[EUR Digital Systems for Humans @eurds4h]

[LIVE] Forum de l'Alternance | Métiers du numérique
Les entretiens vont bon train ! Beaucoup d'opportunités pour nos étudiants !
#alternance #numérique @MstratDigitale @JMCNice @Univ_CotedAzur @SopraSteria_fr @MonacoTelecom

[Danfei Xu @danfei_xu]

One of the most impressive CV works I've seen recently. Also huge kudos to Meta AI for sticking to open sourcing despite the trend increasingly going towards the opposite direction.

[Sergey Levine @svlevine]

We've released the Koala into the wild🐨

The Koala is a chatbot finetuned from LLaMA that is specifically optimized for high-quality chat capabilities, using some tricky data sourcing.

Our blog post: https://t.co/7gWNiPOQ0T
Web demo: https://t.co/TMWpixTZCK

[Chris Paxton @chris_j_paxton]

Might be the most impressive version of this yet

[Tansu Yegen @TansuYegen]

If a person in some parts of China crosses the street in the improper location, the facial recognition technology will immediately send them to a public shame board, connect them to their bank card, and deduct the amount of the fine

[d@x @groktheworm]

Bing Chat is underrated.

Most people don't know what it’s capable of, how it differs from ChatGPT and what kind of amazing content it can generate. 🚀

8 compelling ways to talk to The New Bing:

🧵👇

[WAC2022 @WebAudioConf]

Deadline extension for for the Call For Paper for the next Web Audio Special Issue of the Journal of the Audio Engineering Society (JAES).

Deadline is now March 15, 2023. https://t.co/Rxp3pn7NxY

[Chris Donahue @chrisdonahuey]

Excited to share SingSong, a system which can generate instrumental accompaniments to pair with input vocals!

📄https://t.co/1mRUaXvqVy
🔊https://t.co/8RGezPu5YQ

Work co-led by myself, @antoine_caillon, and @ada_rob as part of @GoogleMagenta and the broader MusicLM project 🧵

[Keunwoo Choi @keunwoochoi]

those recent, powerful music generation models make me wonder why / to what extent we need music source separation.

[EUR Digital Systems for Humans @eurds4h]

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