@zShirui e eu passamos anos trabalhando ouvindo o trampo do @NIKITOLABRAE.
Hoje temos o nosso nome na ficha técnica da faixa principal do próximo grande projeto do homem 🤍
Sure, your eyes aren’t tricking you. That clip looks better than the new trailer, and the reason has nothing to do with talent. The VFX supervisor on Amazing Spider-Man 2 in 2014? Jerome Chen. The VFX supervisor on Brand New Day? Also Jerome Chen. Same person. Completely different system around him.
In 2014, Chen had 50 effects artists at Sony Imageworks, the largest VFX crew the studio had ever put on a single project. They handled about 1,000 of the film’s 1,600 VFX shots on a $255 million budget. The crew shot on real film (not digital), on location in actual New York City, scanned Times Square with 36,000 photographs of over 100 billboards, and built physical lighting rigs on set so the CGI would match the real world.
Now look at how Marvel makes Spider-Man movies. No Way Home had 2,500 VFX shots spread across 12 studios and about 3,000 artists. The budget was $200 million, $55 million less than TASM2 despite having 56% more VFX shots. Digital Domain, one of the VFX vendors, was delivering final shots days before the December 17, 2021, release. They kept reworking shots into mid-January, after the movie was already in theaters.
Zoom out, and the math gets worse. Marvel released 6 films between 2008 and 2012. From 2023 to 2025, they pushed out 7 films and 7 TV shows. The Hollywood union representing VFX workers reported that Marvel pays artists about 20% below industry average and staffs one person where other studios hire three. Artists described 64-hour weeks and breakdowns on the job. Then, in February 2025, Technicolor, the parent company of MPC (three-time Oscar winner for Life of Pi, The Jungle Book, and 1917), collapsed almost overnight. 4,500 jobs gone globally. The studio had been actively working on Disney and Paramount films when the lights went out.
Brand New Day has four months before release, and trailers routinely show unfinished shots. But the gap between a 2014 Spider-Man and a 2026 Spider-Man has nothing to do with technology going backwards. The industry has been asked to do three times the work for less money per shot while its biggest studios are going under.
@FutezApp Não sei como funciona o sistema de vocês e com que antecedência atualiza, mas não consigo ver as próximas partidas do Cruzeiro, só as que já passaram.. podia rolar um carinho nisso! 🦊💙
Procurando uma nova camisa pra representar no primeiro split de 2026 da Kings League.
Design system, direção criativa e presença digital completa.
Após entregar a Kings Cup com o CAPIM FC, estou disponível pra novos projetos. Se o trabalho é sério, vamos trocar uma ideia. 📄✍️
Feliz demais por ter coberto minha primeira Kings Cup pelo @CapimFootball. Foram dias intensos, muitos ajustes e dezenas de peças criadas.
Espero que curtam! 💚
🔗 https://t.co/QOHEZRGFNq
Depois de muito trabalho, estou pronto para compartilhar com vocês tudo em que trabalhei na minha primeira cobertura da Kings League pelo @CapimFootball.
Amanhã, 10h, na sua timeline! 💚
Não é apenas uma camisa. É o uniforme de quem acredita, luta e representa o G3X FC. ⬜🟦
Garanta o seu agora mesmo! Compre a nova camisa do G3X em https://t.co/tiFfsw1NWE, não perca tempo.
#adidasFootball#KingsLeagueBrazil