the AI world could do well to take a page from crypto’s book and support artists who are engaging with the tech in interesting ways, or would be able to do so with the right funding
so far it has the deluge of slop, loosely analogous to the million pfp projects, and it has the scaffolding for creative work. what it doesn’t have is anyone at the top who seems particularly interested in fostering a culture where artists can take big swings beyond just paying them $20-200 a month to generate images and code
for all of crypto’s foibles, this is something they did very well for a while and it was a massive boon to the industry while it lasted
If there is to be genuinely vital monumental sculpture made in this moment, we are going to have to take considerable time experimenting in a deliberate and dynamic way.
The default and may I add, rather visionless approach is just to attempt a superficial remake of the Greeks/Romans/Renaissance. This notion is heavily fuelled by AI today.
If this schematic is actually followed, you will have a Disneylandification taking place, a sort of ham-fisted artefact for entertainment purposes. Something akin to the decoration seen on a merry-go-round for children- from a distance and with eyes squinted it may just about pass, but when you get up close you see the peeling faux bronze paint and the ugly sun damaged plastic peering back at you.
Bringing great statues forward into this moment is not a problem that is solved by a few entrepreneurs over coffee, it equally isn't just a case of throwing buckets of money at well-equipped fabrication companies either. It will be a process of rebuilding tight-knit institutions that can nurture the required artistic talent and visionary genius to propel sculpture beyond the trappings of the mundane: an elite grouping of artists capable of getting into the aesthetic vocabulary of the past and then dreaming a fresh synthesis in our moment now. It will require time, dedication and honest aesthetic research and development.
(From a post I made a few months back)
😈/😈😈😈
𝚅𝙰𝙽𝙸𝚃𝙸𝙴𝚂 is a collection of 66 found celebrity mirror selfies
each is painstakingly erased and then transformed into a video piece; runtime is determined by the subject’s Instagram following & they flicker into the frame in a pattern encoding their legal name
We should be monument-maxxing, constructing towering edifices to living gods of our era, titans of industry, heroes dragging civilization forward by the skin of their teeth, flames shooting from the stony eyes of 600 ft giants, visible from space, carved from solid granite, etc
had a dream that i installed an intricate fractal crystalline mirror on top of the tallest tower and surrounded the skyline with powerful spotlights, refracting the city’s silhouette back on itself
a lot of people asking what i’m up to these days - we have a few shl0ms projects in the pipeline but my absolute #1 priority and life mission is to catalyze a new era of monuments
if this sounds like something you would want to support, reach out asap cause we are cooking
i believe that the current era of non-profit public arts funding is fundamentally broken, benefiting a few well-connected artists at the expense of the many
the only way to address this is to build a profitable and sustainable model to fund the art that the people actually want
crypto is the most powerful forge for capital formation that the world has seen in several decades
let’s use it to fund really cool things that should exist
if you still don’t get how attacking the info rails of web2 social media to propagate a panic about the shutdown of a load-bearing centralized service owned by a $2 trillion corporation is a radical work of digital performance art, i don't have time to try to convince you, sorry
𒄭/𒐨
new 1/1 work: '∞'
an onchain transparent SVG image so astronomically vast that, even if each pixel was shrunk down to a single Planck length, it would exceed the size of the observable universe by an unfathomable margin
auction link in thread ⤋
1 hour scrolling video:
THREAD: So, most people associate Japanese design with either cute kitsch or zen-like minimalism, but its much more diverse, & 1 of my particular fav periods was the architecture of its 80-90s boom era; wild, strange & incredibly diverse, & unique in world architectural history
although their haphazard entrance nearly decimated the city, it seemed almost benevolent when the mirrors began rearranging themselves to form the Monuments.
some people interpreted this as a sign of goodwill and began to regard them with hope, or even something approaching reverence.